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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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185 #Hallstatt As my case studies underscore, it is not only the case that we are thoroughly enmeshed in the various invisible cultural, histori- cal, and psychic layers of our surroundings. As Mitchell reminds us in What Do Pictures Want?, mediation has always been an in- tegral part of those surroundings: “If images are life-forms, and objects are the bodies they animate, then media are the habi- tats or ecosystems in which pictures come alive” (Mitchell 2005, 198). However, Mitchell’s conclusions are not mine, primarily because of the considerable distance in our respective ‘we’s and in the material we are dealing with. Mitchell’s could not be more us-centric: The Hooded Man of Abu Graib, accused terrorist, torture victim, anonymous clone, faceless Sone of Man, will remain the icon of our time for the foreseeable future. And behind the veil of this spectral enemy, the faces of Jesus, Moham- mad, and Moses will continue to haunt us. (Mitchell 2011, 167; italics added) My examples demonstrate a different kind of hauntology, name- ly, a posthuman one whose ‘we’ understands that category as Rosi Braidotti does, which is to say as negotiated: “‘We’ catego- rize ourselves as a ‘we’ of humans and humanity, where actually ‘we’ are a group of subjects who all have very different agendas, experiences, and knowledge” (Wilde 2020, 1039). What follows is “an understanding of ‘we subjects,’ as a type of recognition of similarity yet difference” (ibid). From the reviving of the Pro- letenpassion in the Arena to the politically pedagogical demon- stration of alternative forms of currencies and community in Planet Ottakring, from the necropolitical performances of La- zarus in the Volkstheater to the hijacking of Christoph Schlin- gensief’s neo-colonizing container performance in the square in front of Vienna’s Staatsoper, and from the dedicated keeping op- erational of at least one sleeping-giant Kurhotel in Semmering and Hans Weingartner’s repeated figurings of natural settings as potential spaces for the practice of new forms of collectivity to Hallstatt’s parrying of tourist masses attracted by its sleeping
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Titel
Siting Futurity
Untertitel
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Autor
Susan Ingram
Verlag
punctumbooks
Ort
New York
Datum
2021
Sprache
englisch
Lizenz
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Abmessungen
12.6 x 20.2 cm
Seiten
224
Schlagwörter
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Kategorie
Geographie, Land und Leute

Inhaltsverzeichnis

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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