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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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190 siting futurity Amsden, David. 2007. “The Life Obsessive with Wes Anderson.” New York Magazine, September 21. http:// nymag.com/movies/filmfestivals/newyork/2007/38024/. @antalalakam. 2018. Twitter. August 21. Tweet unavailable. Antalovsky, Eugene, Herbert Bartik, Siegrun Herzog, Bernhard Perching, and Alexander Wolffhardt. 2008. “Neue Sichtbarkeit von MigrantInnen und veränderte städtische Identität: Die Entwicklung des Brunnenviertels vom Problemgebiet zur Trendzone.” Vienna: EuropaForumWien. https://www.docplayer.org/30956108-Neue- sichtbarkeit- von-migrantinnen-und-veraenderte-staedtische-identitaet. html. Apel, Dora. 2015. Beautiful Terrible Ruins: Detroit and the Anxiety of Decline. New Brunswick: Rutgers University Press. Apter, Emily. 2013. Against World Literature: On the Politics of Untranslatability. London: Verso. Arens, Katherine. 2016. “A Once and Future Austrian Studies.” German Quarterly 89, no. 2 (Spring): 222–24. https://www. jstor.org/stable/24757607. Aue, Mary von. 2018. “David Bowie’s Collaborators Talk Bringing ‘Lazarus’ Back to Life In New York.” Billboard, April 13. https://www.billboard.com/articles/columns/ rock/8314287/david-bowie-lazarus-live-kings-theater. Bedford, Neal. 2004. Vienna. London: Lonely Planet. Berlant, Lauren. 2011. Cruel Optimism. Durham: Duke University Press. Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso. Blau, Eve. 2014. “‘A Capital without a Nation’: Red Vienna and Spatial Politics Between the World Wars.” In Power and Architecture: The Construction of Capitals and the Politics of Space, edited by Michael Minkenberg, 178–207. New York: Berghahn Books. ———. 2016. “Re-Visiting Red Vienna.” Austrian Embassy, Washington. https://www.austria.org/revisiting-red-vienna.
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Titel
Siting Futurity
Untertitel
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Autor
Susan Ingram
Verlag
punctumbooks
Ort
New York
Datum
2021
Sprache
englisch
Lizenz
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Abmessungen
12.6 x 20.2 cm
Seiten
224
Schlagwörter
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Kategorie
Geographie, Land und Leute

Inhaltsverzeichnis

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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