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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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199 bibliograpHy ———. 2019. “Proletenpassion ff.: Reviving the Ghosts of Red Vienna.” Western Humanities Review 73, no. 3: 50–78. ———. 2020. “Translating Affect: David Bowie’s Lazarus in German.” Delos: A Journal of Translation and World Literature 35, no. 1: 60–76. DOI: 10.5744/delos.2020.1006. Ingram, Susan, and Markus Reisenleitner. 2013. Wiener Chic: A Locational History of Vienna Fashion. Bristol: Intellect. ———. 2014. “Faking Translation in Hallstatt: A Visit to Hallstatt Revisited I.” TranscUlturAl 6, no. 1: 43–52. DOI: 10.21992/T9DW67. Iosifidis, George, Yanick Charette, Giuseppe Littera, Leandros Tassiulas, and Nicholas Christakis. 2015. “Network Analysis of the Sardex Community Currency.” EliScholar – A Digital Platform for Scholarly Publishing at Yale. http://elischolar. library.yale.edu/cgi/viewcontent.cgi?article=1066&context= dayofdata. Isenberg, Noah. 2014. “Vienna Is No More? Film History, Psycho-Geography, and the Great City of Dreams.” Film Quarterly 67, no. 4: 67–72. DOI: 10.1525/fq.2014.67.4.67. Ivakhiv, Adrian. 2018. Shadowing the Anthropocene: Eco- Realism for Turbulent Times. Earth: punctum books. Jameson, Fredric. 1991. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press. Janke, Pia, and Theresa Kovacs, eds. 2011. Der Gesamtkünstler Christoph Schlingensief. Vienna: Praesens. Kadi, Justin. 2016. “Drei populäre Mythen zu Gentrifizierung in Wien.” Urbanizm, February 19. http://urbanizm. net/4890279/drei-populare-mythen-zu-gentrifizierung- wien/. Kaun, Anne. 2017. “Narrating Protest: Silenced Stories of Europe in Occupy Stockholm and Occupy Latvia.” In Europe Faces Europe: Narratives from Its Eastern Half, edited by Johan Fornäs, 133–52. Bristol: Intellect. Kazim, Hasnain. 2018. “Warum so viele Chinesen nach Hallstatt kommen.” Der Spiegel, October 20. http://www. spiegel.de/reise/europa/hallstatt-in-oesterreich-warum- kommen-so-viele-touristen-aus-china-a-1233291.html.
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Titel
Siting Futurity
Untertitel
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Autor
Susan Ingram
Verlag
punctumbooks
Ort
New York
Datum
2021
Sprache
englisch
Lizenz
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Abmessungen
12.6 x 20.2 cm
Seiten
224
Schlagwörter
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Kategorie
Geographie, Land und Leute

Inhaltsverzeichnis

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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