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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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203 bibliograpHy Mbembe, Achille. 2003. “Necropolitics.” Translated by Libby Meintjes. Public Culture 15, no. 1: 11–40. DOI: 10.1215/08992363-15-1-11. McLemee, Scott. 2015. “Motor City, Rusting.” Inside Higher Ed, August 5. https://www.insidehighered.com/ views/2015/08/05/review-dora-apel-beautiful-terrible-ruins- detroit-and-anxiety-decline. Medina, Sammy. 2013. “A Pair of Artists Reveal China’s Counterfeit Cities.” Fast Company, May 20. http://www. fastcodesign.com/1672620/a-pair-of-artists-reveal-chinas- counterfeit-cities. Mering, Sabine von. 2012. Review of Cinema and Social Change in Germany and Austria, by Gabriele Mueller and James M. Skidmore. German Politics & Society 30, no. 4 (Winter): 108–11. https://www.jstor.org/stable/23744611. Mesner, Maria. 2012. “‘Rooms of One’s Own’: Räume, Geschlecht und Autonomie: Das Fallbeispiel Wien.” In Besetzt! Kampf um Freiräume seit den 70ern, edited by Martina Nußbaumer and Werner Michael Schwarz, 60–66. Vienna: Czernin Verlag. Messmer, Lukas. 2015. “Feature: Hallstatt — An Austrian Town in China Where No One Is Home.” Hong Kong Free Press, July 7. https://www.hongkongfp.com/2015/07/07/hallsatt-an- austrian-town-in-china-where-no-one-is-home/. Mießgang, Thomas. 2015. “Auf Lenin einen heben!” Zeit Online, January 22, 2015. https://www.zeit.de/2015/04/theater- proletenpassion-schmetterlinge-wien. Mitchell, W.J.T. 1998. The Last Dinosaur Book: The Life and Times of a Cultural Icon. Chicago: University of Chicago Press. ———.2005. What Do Pictures Want? The Lives and Loves of Images. Chicago: University of Chicago Press. ———. 2009. “The Future of the Image: Rancière’s Road Not Taken.” Culture, Theory and Critique 50, nos. 2–3: 133–44. DOI: 10.1080/14735780903240091. ———.2011. Cloning Terror: The War of Images, 9/11 to the Present. Chicago: University of Chicago Press.
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Titel
Siting Futurity
Untertitel
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Autor
Susan Ingram
Verlag
punctumbooks
Ort
New York
Datum
2021
Sprache
englisch
Lizenz
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Abmessungen
12.6 x 20.2 cm
Seiten
224
Schlagwörter
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Kategorie
Geographie, Land und Leute

Inhaltsverzeichnis

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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