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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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204 siting futurity Mueller, Gabriele, and James M. Skidmore, eds. 2012. Cinema and Social Change in Germany and Austria. Waterloo: Wilfrid Laurier University Press. Nagib, Lúcia, and Anne Jerslev. 2013. Impure Cinema: Intermedial and Intercultural Approaches to Film. New York: I.B. Tauris. Nelson, Maggie. 2012. The Art of Cruelty: A Reckoning. New York: W.W. Norton & Co. Nußbaumer, Martina, and Werner Michael Schwarz, eds. 2012. Besetzt! Kampf um Freiräume seit den 70ern. Vienna: Czernin Verlag. ———. 2012a. “‘Für Alle.’ Eigenarten von Hausbesetzungen und Kämpfen um Selbstverwaltete Kulturezentren in Wien.” In Besetzt! Kampf um Freiräume seit den 70ern, edited by Martina Nußbaumer and Werner Michael Schwarz, 16–21. Vienna: Czernin Verlag. October, Dene. 2019. “Transition Transmission: Media, Seriality, and the Bowie-Newton Matrix.” Celebrity Studies 10, no. 1: 104–18. DOI: 10.1080/19392397.2018.1559124. Palfreyman, Rachel. 2011. “Play for Today: Situationist Protests and Uncanny Encounters in Hans Weingartner’s ‘The Edukators’ (2004).” In New Directions in German Cinema, edited by Paul Cooke and Chris Homewood, 166–85. New York: I.B. Tauris. Peymann, Claus. 2018. “Claus Peymann: ‘Österreich als Avantgarde des Fremdenhasses’.” Interview by Renate Graber. Der Standard, December 16. https://derstandard. at/2000093982841/Claus-Peymann-Oesterreich-als- Avantgarde-des-Fremdenhasses. Paterson, Tony. 2011. “Alpine Villagers Bewildered as China Clones Their Home.” Independent, June 20. http://www. independent.co.uk/news/world/europe/alpine-villagers- bewildered-as-china-clones-their-home-2299946.html. Poet, Paul. 2002. “Ausländer Raus! Schlingensiefs Container.” Vimeo, October 14. https://vimeo.com/142397592. “Polizei räumte besetztes Haus in Wien.” 2018. Der Standard, December 7. https://derstandard.at/2000093382254/
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Titel
Siting Futurity
Untertitel
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Autor
Susan Ingram
Verlag
punctumbooks
Ort
New York
Datum
2021
Sprache
englisch
Lizenz
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Abmessungen
12.6 x 20.2 cm
Seiten
224
Schlagwörter
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Kategorie
Geographie, Land und Leute

Inhaltsverzeichnis

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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