Page - 1082 - in The Complete Plato

You mean, I suspect, to ask whether tragedy and comedy shall be admitted into our State? Yes, I said; but there may be more than this in question: I really do not know as yet, but whither the argument may blow, thither we go. And go we will, he said. Then, Adeimantus, let me ask you whether our guardians ought to be imitators; or rather, has not this question been decided by the rule already laid down that one man can only do one thing well, and not many; and that if he attempt many, he will altogether fail of gaining much reputation in any? Certainly. And this is equally true of imitation; no one man can imitate many things as well as he would imitate a single one? He cannot. Then the same person will hardly be able to play a serious part in life, and at the same time to be an imitator and imitate many other parts as well; for even when two species of imitation are nearly allied, the same persons cannot succeed in both, as, for example, the writers of tragedy and comedy—did you not just now call them imitations? Yes, I did; and you are right in thinking that the same persons cannot succeed in both. Any more than they can be rhapsodists and actors at once? True. Neither are comic and tragic actors the same; yet all these things are but imitations. They are so. And human nature, Adeimantus, appears to have been coined into yet smaller pieces, and to be as incapable of imitating many things well, as of performing well the actions of which the imitations are copies. Quite true, he replied. If then we adhere to our original notion and bear in mind that our guardians, setting aside every other business, are to dedicate themselves wholly to the maintenance of freedom in the State, making this their craft, and engaging in no work which does not bear on this end, they ought not to practise or imitate anything else; if they imitate at all, they should imitate from youth upward only those characters which are suitable to their 1082