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words by them.
Just so, he said, they should follow the words.
And will not the words and the character of the style depend on the temper
of the soul?
Yes.
And everything else on the style?
Yes.
Then beauty of style and harmony and grace and good rhythm depend on
simplicity—I mean the true simplicity of a rightly and nobly ordered mind
and character, not that other simplicity which is only an euphemism for folly?
Very true, he replied.
And if our youth are to do their work in life, must they not make these
graces and harmonies their perpetual aim?
They must.
And surely the art of the painter and every other creative and constructive
art are full of them—weaving, embroidery, architecture, and every kind of
manufacture; also nature, animal and vegetable—in all of them there is grace
or the absence of grace. And ugliness and discord and inharmonious motion
are nearly allied to ill-words and ill-nature, as grace and harmony are the twin
sisters of goodness and virtue and bear their likeness.
That is quite true, he said.
But shall our superintendence go no further, and are the poets only to be
required by us to express the image of the good in their works, on pain, if they
do anything else, of expulsion from our State? Or is the same control to be
extended to other artists, and are they also to be prohibited from exhibiting
the opposite forms of vice and intemperance and meanness and indecency in
sculpture and building and the other creative arts; and is he who cannot
conform to this rule of ours to be prevented from practising his art in our
State, lest the taste of our citizens be corrupted by him? We would not have
our guardians grow up amid images of moral deformity, as in some noxious
pasture, and there browse and feed upon many a baneful herb and flower day
by day, little by little, until they silently gather a festering mass of corruption
in their own soul. Let our artists rather be those who are gifted to discern the
true nature of the beautiful and graceful; then will our youth dwell in a land of
health, amid fair sights and sounds, and receive the good in everything; and
beauty, the effluence of fair works, shall flow into the eye and ear, like a
health-giving breeze from a purer region, and insensibly draw the soul from
1089
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book The Complete Plato"
The Complete Plato
- Title
- The Complete Plato
- Author
- Plato
- Date
- ~347 B.C.
- Language
- English
- License
- PD
- Size
- 21.0 x 29.7 cm
- Pages
- 1612
- Keywords
- Philosophy, Antique, Philosophie, Antike, Dialogues, Metaphysik, Metaphysics, Ideologie, Ideology, Englisch
- Categories
- Geisteswissenschaften
- International