Page - 1300 - in The Complete Plato

him? True. The instrument is the same, but about the excellence or badness of it the maker will only attain to a correct belief; and this he will gain from him who knows, by talking to him and being compelled to hear what he has to say, whereas the user will have knowledge? True. But will the imitator have either? Will he know from use whether or no his drawing is correct or beautiful? or will he have right opinion from being compelled to associate with another who knows and gives him instructions about what he should draw? Neither. Then he will no more have true opinion than he will have knowledge about the goodness or badness of his imitations? I suppose not. The imitative artist will be in a brilliant state of intelligence about his own creations? Nay, very much the reverse. And still he will go on imitating without knowing what makes a thing good or bad, and may be expected therefore to imitate only that which appears to be good to the ignorant multitude? Just so. Thus far, then, we are pretty well agreed that the imitator has no knowledge worth mentioning of what he imitates. Imitation is only a kind of play or sport, and the tragic poets, whether they write in iambic or in heroic verse, are imitators in the highest degree? Very true. And now tell me, I conjure you, has not imitation been shown by us to be concerned with that which is thrice removed from the truth? Certainly. And what is the faculty in man to which imitation is addressed? What do you mean? I will explain: The body which is large when seen near, appears small when seen at a distance? 1300