Page - 1302 - in The Complete Plato

work, are far removed from truth, and the companions and friends and associates of a principle within us which is equally removed from reason, and that they have no true or healthy aim. Exactly. The imitative art is an inferior who marries an inferior, and has inferior offspring. Very true. And is this confined to the sight only, or does it extend to the hearing also, relating in fact to what we term poetry? Probably the same would be true of poetry. Do not rely, I said, on a probability derived from the analogy of painting; but let us examine further and see whether the faculty with which poetical imitation is concerned is good or bad. By all means. We may state the question thus: Imitation imitates the actions of men, whether voluntary or involuntary, on which, as they imagine, a good or bad result has ensued, and they rejoice or sorrow accordingly. Is there anything more? No, there is nothing else. But in all this variety of circumstances is the man at unity with himself— or, rather, as in the instance of sight there were confusion and opposition in his opinions about the same things, so here also are there not strife and inconsistency in his life? though I need hardly raise the question again, for I remember that all this has been already admitted; and the soul has been acknowledged by us to be full of these and ten thousand similar oppositions occurring at the same moment? And we were right, he said. Yes, I said, thus far we were right; but there was an omission which must now be supplied. What was the omission? Were we not saying that a good man, who has the misfortune to lose his son or anything else which is most dear to him, will bear the loss with more equanimity than another? Yes. But will he have no sorrow, or shall we say that although he cannot help 1302