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the general fashion among the youth, any more than he would offend against any other law. And he who observes this law shall be blameless; but he who is disobedient, as I was saying, shall be punished by the guardians of the laws, and by the priests and priestesses. Suppose that we imagine this to be our law. Cleinias. Very good. Athenian. Can any one who makes such laws escape ridicule? Let us see. I think that our only safety will be in first framing certain models for composers. One of these models shall be as follows:—If when a sacrifice is going on, and the victims are being burnt according to law—if, I say, any one who may be a son or brother, standing by another at the altar and over the victims, horribly blasphemes, will not his words inspire despondency and evil omens and forebodings in the mind of his father and of his other kinsmen? Cleinias. Of course. Athenian. And this is just what takes place in almost all our cities. A magistrate offers a public sacrifice, and there come in not one but many choruses, who take up a position a little way from the altar, and from time to time pour forth all sorts of horrible blasphemies on the sacred rites, exciting the souls of the audience with words and rhythms and melodies most sorrowful to hear; and he who at the moment when the city is offering sacrifice makes the citizens weep most, carries away the palm of victory. Now, ought we not to forbid such strains as these? And if ever our citizens must hear such lamentations, then on some unblest and inauspicious day let there be choruses of foreign and hired minstrels, like those hirelings who accompany the departed at funerals with barbarous Carian chants. That is the sort of thing which will be appropriate if we have such strains at all; and let the apparel of the singers be, not circlets and ornaments of gold, but the reverse. Enough of all this. I will simply ask once more whether we shall lay down as one of our principles of song— Cleinias. What? Athenian. That we should avoid every word of evil omen; let that kind of song which is of good omen be heard everywhere and always in our state. I need hardly ask again, but shall assume that you agree with me. Cleinias. By all means; that law is approved by the suffrages of us all. Athenian. But what shall be our next musical law or type? Ought not prayers to be offered up to the Gods when we sacrifice? Cleinias. Certainly. Athenian. And our third law, if I am not mistaken, will be to the effect that 1470
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The Complete Plato
Title
The Complete Plato
Author
Plato
Date
~347 B.C.
Language
English
License
PD
Size
21.0 x 29.7 cm
Pages
1612
Keywords
Philosophy, Antique, Philosophie, Antike, Dialogues, Metaphysik, Metaphysics, Ideologie, Ideology, Englisch
Categories
Geisteswissenschaften
International

Table of contents

  1. Part 1 - Early Dialogues 3
    1. The Apology 4
    2. Charmides 37
    3. Laches 64
    4. Lysis 88
    5. Euthyphro 113
    6. Menexenus 131
    7. Ion 144
    8. Gorgias 157
    9. Protagoras 246
    10. Meno 296
  2. Part 2 - Middle Dialogues 332
    1. Euthydemus 333
    2. Craytlus 375
    3. Phaedo 436
    4. Phaedrus 498
    5. The Symposium 548
    6. Theaetetus 590
    7. Parmenides 670
  3. Part 3 - Late Dialogues 733
    1. Sophist 734
    2. Statesman 803
    3. Philebus 867
    4. Timaeus 937
    5. Critias 997
  4. Part 4 - The Republic 1010
    1. Book I 1011
    2. Book II 1044
    3. Book III 1072
    4. Book IV 1108
    5. Book V 1139
    6. Book VI 1176
    7. Book VII 1207
    8. Book VIII 1236
    9. Book IX 1267
    10. Book X 1292
  5. Part 5 - The Laws 1320
    1. Book I 1321
    2. Book II 1346
    3. Book III 1368
    4. Book IV 1394
    5. Book V 1413
    6. Book VI 1430
    7. Book VII 1459
    8. Book VIII 1493
    9. Book IX 1513
    10. Book X 1539
    11. Book XI 1565
    12. Book XII 1587
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The Complete Plato