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109. IWE 241 (1 September 1905): 7.
110. IWE 132 (15 May 1900): 6.
111. In particular, Kriebaum had to contend with competition from the Colosseum, which
Ben Tieber managed at the time.
112. IWE 133 (16 May 1900): 5; 274 (6 October 1901): 3.
113. Norbert Rubey and Peter Schoenwald, Venedig in Wien: Th
eater- und Vergnügungsstadt
der Jahrhundertwende (Vienna: Carl Ueberreuter 1996), 10–15.
114. Rubey and Schoenwald, Venedig in Wien, 39–161.
115. Rubey and Schoenwald, Venedig in Wien, 37.
116. IWE 299 (31 October 1900): 6.
117. Josef Zak, “Fünfzig Jahre ‘Apollo’ – Ein Rückblick,” Festschrift der Apollo Kino- und
Th
eater-Ges. M. B. H. (Vienna, 1954), 12.
118. Steven Beller, “Th e Infl
uence of Jewish Immigration,” in Migration und Innovation um
1900: Perspektiven auf das Wien der Jahrhundertwende, ed. Elisabeth Röhrlich (Vienna:
Böhlau, 2016), 194.
119. Susan Glenn criticizes the reference to origin and ancestry as “blood logic.” See Susan
A. Glenn, “In the Blood? Consent, Descent, and the Ironies of Jewish Identity,” Jewish
Social Studies 8, no. 2 (2002): 139–52.
120. On the concept of “Jewish diff erence,” though formulated in diff erent terms, also see
Lisa Silverman, “Reconsidering the Margins: Jewishness as an Analytical Framework,”
Journal of Modern Jewish Studies 8, no. 1 (2009): 103–20.
121. Rubey and Schoenwald, Venedig in Wien, 25.
122. Werner Michael Schwarz, Anthropologische Spektakel: Zur Schaustellung “exotischer’ Men-
schen, Wien 1870–1910 (Vienna: Turia + Kant, 2001), 167.
123. Rubey and Schoenwald, Venedig in Wien, 34–35.
124. Astrid Schweighofer, Religiöse Sucher in der Moderne: Konversionen vom Judentum zum
Protestantismus in Wien um 1900 (Munich: de Gruyter, 2015), 359.
125. Rozenblit, Juden in Wien, 148.
126. Schweighofer, Religiöse Sucher, 57–63.
127. Michael Pollak, “Innovation und soziale Identität im Wien des Fin de Siècle,” in Eine
zerstörte Kultur: Jüdisches Leben und Antisemitismus in Wien seit dem 19. Jahrhundert, ed.
Gerhard Botz, Ivar Oxaal, and Michael Pollak (Vienna: Czernin, 1990), 91.
128. Th is includes the Ronacher, which was co-founded by the Jewish journalist Max
Friedländer.
129. On the Gschwandner, see Astrid Göttche, Erich Bernard, Das Gschwandner: Ein legendä-
res Wiener Etablissement (Vienna: Metroverlag, 2012).
130. Th
is was also the case with other establishments. Along with her sister Sofi e Ruzek and
two other individuals, Minna Rott founded in March 1903 an “amusement establish-
ment in true Viennese tradition” with the name Zum süßen Mädel (IWE 72 [14 March
1903]: 13). When they sold it soon after, Minna Rott and her sister bought the ex-
tremely popular Brady’s Wintergarten.
131. I am indebted to the Viennese art historian Elana Shapira for bringing this to my
attention.
132. Konrad Nowakowski, “‘30 Negroes (Ladies and Gentlemen)’: Th
e Syncopated Orches-
tra in Vienna,” Black Music Research Journal 2, no. 2 (2009): 240.
133. Neues Wiener Tagblatt 245 (4 September 1904): 10.
134. IWE 67 (9 March 1902): 22.
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Entangled Entertainers
Jews and Popular Culture in Fin-de-Siècle Vienna
- Title
- Entangled Entertainers
- Subtitle
- Jews and Popular Culture in Fin-de-Siècle Vienna
- Author
- Klaus Hödl
- Publisher
- Berghahn Books
- Date
- 2019
- Language
- English
- License
- CC BY 4.0
- ISBN
- 978-1-78920-031-7
- Size
- 14.86 x 23.2 cm
- Pages
- 196
- Categories
- Geschichte Vor 1918
- International
Table of contents
- Introduction 1
- 1. Jews in Viennese Popular Culture around 1900 as Research Topic 13
- 2. Jewish Volkssänger and Musical Performers in Vienna around 1900 44
- 3. Jewishness and the Viennese Volkssänger 78
- 4. Jewish Spaces of Retreat at the Turn of the Twentieth Century 121
- 5. From Difference to Similarity 148
- Conclusion 163
- Bibliography 166
- Index 179