Seite - 76 - in Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna

76 | Entangled Entertainers 109. IWE 241 (1 September 1905): 7. 110. IWE 132 (15 May 1900): 6. 111. In particular, Kriebaum had to contend with competition from the Colosseum, which Ben Tieber managed at the time. 112. IWE 133 (16 May 1900): 5; 274 (6 October 1901): 3. 113. Norbert Rubey and Peter Schoenwald, Venedig in Wien: Th eater- und Vergnügungsstadt der Jahrhundertwende (Vienna: Carl Ueberreuter 1996), 10–15. 114. Rubey and Schoenwald, Venedig in Wien, 39–161. 115. Rubey and Schoenwald, Venedig in Wien, 37. 116. IWE 299 (31 October 1900): 6. 117. Josef Zak, “Fünfzig Jahre ‘Apollo’ – Ein Rückblick,” Festschrift der Apollo Kino- und Th eater-Ges. M. B. H. (Vienna, 1954), 12. 118. Steven Beller, “Th e Infl uence of Jewish Immigration,” in Migration und Innovation um 1900: Perspektiven auf das Wien der Jahrhundertwende, ed. Elisabeth Röhrlich (Vienna: Böhlau, 2016), 194. 119. Susan Glenn criticizes the reference to origin and ancestry as “blood logic.” See Susan A. Glenn, “In the Blood? Consent, Descent, and the Ironies of Jewish Identity,” Jewish Social Studies 8, no. 2 (2002): 139–52. 120. On the concept of “Jewish diff erence,” though formulated in diff erent terms, also see Lisa Silverman, “Reconsidering the Margins: Jewishness as an Analytical Framework,” Journal of Modern Jewish Studies 8, no. 1 (2009): 103–20. 121. Rubey and Schoenwald, Venedig in Wien, 25. 122. Werner Michael Schwarz, Anthropologische Spektakel: Zur Schaustellung “exotischer’ Men- schen, Wien 1870–1910 (Vienna: Turia + Kant, 2001), 167. 123. Rubey and Schoenwald, Venedig in Wien, 34–35. 124. Astrid Schweighofer, Religiöse Sucher in der Moderne: Konversionen vom Judentum zum Protestantismus in Wien um 1900 (Munich: de Gruyter, 2015), 359. 125. Rozenblit, Juden in Wien, 148. 126. Schweighofer, Religiöse Sucher, 57–63. 127. Michael Pollak, “Innovation und soziale Identität im Wien des Fin de Siècle,” in Eine zerstörte Kultur: Jüdisches Leben und Antisemitismus in Wien seit dem 19. Jahrhundert, ed. Gerhard Botz, Ivar Oxaal, and Michael Pollak (Vienna: Czernin, 1990), 91. 128. Th is includes the Ronacher, which was co-founded by the Jewish journalist Max Friedländer. 129. On the Gschwandner, see Astrid Göttche, Erich Bernard, Das Gschwandner: Ein legendä- res Wiener Etablissement (Vienna: Metroverlag, 2012). 130. Th is was also the case with other establishments. Along with her sister Sofi e Ruzek and two other individuals, Minna Rott founded in March 1903 an “amusement establish- ment in true Viennese tradition” with the name Zum süßen Mädel (IWE 72 [14 March 1903]: 13). When they sold it soon after, Minna Rott and her sister bought the ex- tremely popular Brady’s Wintergarten. 131. I am indebted to the Viennese art historian Elana Shapira for bringing this to my attention. 132. Konrad Nowakowski, “‘30 Negroes (Ladies and Gentlemen)’: Th e Syncopated Orches- tra in Vienna,” Black Music Research Journal 2, no. 2 (2009): 240. 133. Neues Wiener Tagblatt 245 (4 September 1904): 10. 134. IWE 67 (9 March 1902): 22. This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.