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577The
Musaeum: Its Contents
of the individual patron more or less incisively and changed the fashion gener-
ally current at court. Moreover they stimulated the artists working at or in the
orbit of the Imperial court by providing authoritative examples of up-to-date
styles and artistic techniques and a storehouse of compositional ‘inventions’.
12.2 Strada’s Own Descriptions of His Musaeum
In Strada’s letter to Jacopo Dani describing the entertainment he had planned
to offer Riccardo Riccardi, had he come to visit Strada’s house, he not only men-
tioned the company, but also briefly enumerates the many objects of interest
that Riccardi had missed seeing:
I also wished to show him my house, which can stand comparison with
any of those beautiful houses of Italy, and which cost me over twelve
thousand Thaler. I also wanted to show him my medals, which, though
they are not many, they are nevertheless most exquisite; and then with
these also my collection [‘studio’] of most excellent antiquities and
paintings; then my most ample and complete library, full of books in all
the sciences and in all languages. So you will see that he would not have
ill spent that day.2
Much earlier Strada had advertised his collection in a letter thanking Duke
Guglielmo of Mantua for having conferred a benefice in Mantua Cathedral on
his eldest son, Paolo Strada.3 Almost as a counter present he offered the Duke
the use of his house in exchange, ‘at any occasion that you might have need of
it, which, once finished, is suitable to lodge a prince’. He then continues with a
slightly more detailed description of part of its contents:
There is also something in [my house] to pass the time: I have a library
that exceeds three thousand volumes, among which there are a great
number in Hebrew (I can say all the principal ones that have been
printed). In manuscript there are a good number in several languages.
I don’t want to pass over that there are more than fifty written in Arabic,
which I prize most highly for having unearthed them from Turkey with
great difficulty and at great expense; and every day I continue to enrich
my library with all sorts of books.
2 Doc. 1581-11-02.
3 Doc. 1568-12-28.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038