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Chapter 14
‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M.
Antiquarius, Civis Romani’: Strada’s Frustrated
Ambitions as a Publisher
14.1 Is There Life Beyond the Court?
One of the principal purposes of this study is better to understand the nature
of Strada’s function at court, as an indispensable condition to appreciate the
significance of his presence for Imperial intellectual and artistic patronage
and, more in general, for the cultural history in the Habsburg territories and
Southern Germany. For that reason the greater part of the preceding chapters
has been devoted to Strada’s coming to the Vienna court and his subsequent
employment in Imperial service. Even within the context of his career as a
whole, such ample attention is warranted by the length of Strada’s employ-
ment, the importance of his patrons, and the value he himself attached to his
status as an Imperial servant and courtier. Nevertheless neither Strada’s useful-
ness for Ferdinand i and Maximilian ii and the character of the return they
expected from his presence at court, nor Strada’s view of his chosen profession
can be explained without reference to the activities he engaged in indepen-
dently from his work at court. His occupations before he came to Vienna have
been described in my earlier chapters. Before discussing the activities he un-
dertook simultaneously but quite separately from his tasks at court and after
his resignation, it is useful briefly to sketch his private circumstances, with a
view of the role his family played in his professional life.
14.2 Strada’s Family
Shortly after his first contacts with Ferdinand i Strada came to Vienna, appar-
ently ready to settle at court, because he had brought his wife and household.1
By that time his family consisted of his wife, Ottilie Schenk von Rossberg, his
sons Paolo (Nuremberg 1548) and Ottavio (Nuremberg 1550) and doubtless also
at least the daughter on the occasion of whose wedding in 1569 Maximilian
ii accorded Strada a gift of 50 Gulden. Apart from her name we know hardly
1 Doc 1558-06-11, cited in Ch. 4.2.2.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038