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902 Appendices
D Strada’s Musaeum: The Index Sive Catalogus
Several copies of Strada’s Index sive catalogus, the list of books which he intended to
publish, and for which he attempted to obtain funding or other assistance from his
various patrons, have been preserved: he moreover paraphrased it in several of his let-
ters. A list of copies and paraphrases is given below. None of the fair copies of the
complete Index are in Strada’s own hand: they were written by one of his sons or by a
scribe he employed.
The following transcription is based on the copy preserved in Cod. 10101 in the Öster-
reichische Nationalbibliothek (item A1). This copy concludes with two items that were
obviously added as an afterthought, but which are entered nonetheless in all the other
complete versions known to me. This indicates that it can probably be considered as
the ‘master copy’ from which later versions were derived. When relevant, variants in
other versions have been noted. This copy also adds a long list of other manuscripts
in Strada’s possession, that probably were not part of Strada’s publishing project, but
which he may have considered selling to interested parties (not transcribed here).
The item numbers in the transcription are added by the editor.
A Fair copies (i.e. in Latin):
A.1 Vienna, önb-hs, cod. 10101
This can be considered the mastercopy, and is probably the earliest version
preserved: two items at the end were obviously added as an afterthought,
yet these are included in all copies known to me. It is followed by a list of
manuscripts in Strada’s possession, of which no other version is known to
me. The sections on Serlio were published in PROMIS 1871.
A.2 Vienna, önb-hs, cod. 10117
A.3 [? lost]
A version sent to Elector August of Saxony appears to be lost; Strada’s ac-
companying letter, dated Vienna, 4 January 1581 is preserved in Zittau, a
copy is included in the Uffenbach-Wolffsche Briefsammlung in Hamburg
(cf. doc. 1581-01-04); it is described as ‘un catalogo di libri scritti a mano, li
quali sono tutti in casa mia, et la maggior parte sonno in punto per metter
alla stampa, et non è copia fuori in luocho alcuno’.
A.4 Firenze, asf, Carte e spoglie Strozziane, i, filza 308, ff. 64–69
This copy was sent to Jacopo Dani, secretary to Grand Duke Francesco i of
Tuscany, and is preserved next to his accompanying letter, dated Vienna, 2
November 1581, idem, ff. 63–72 (doc. 1581-11-02), in which it is described as
‘questo inventario di questi libri (li quali tutti si anno da stampare)’.
A.5 Vienna, sla, Magistratstestamente nr 104
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038