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Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna
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Jews in Viennese Popular Culture around 1900 as Research Topic | 39 28. Alexander Krakauer (1866–1894) was born in Hungary. He attended the Technische Hochschule in Vienna and received a musical education at the same time. His compo- sitions were interpreted by the most famous and important Volkssänger of his time, such as Edmund Guschelbauer (1839–1912) and Alexander Girardi (1850–1918). At the end of his life, he was plagued by a lung disease that he wanted to have cured in the spa town of Bad Gleichenberg. He died on his journey there. See Th eophil Antonicek and Alexander Krakauer, “Skizze einer Würdigung,” in Volksmusik – Wandel und Deutung: Festschrift Walter Deutsch zum 75. Geburtstag, ed. Gerlinde Haid, Ursula Hemetek, and Rudolf Pietsch (Vienna: Böhlau Verlag, 2000), 566–67. 29. Antonicek and Krakauer, “Skizze einer Würdigung,” 567–68. 30. Th ere may have been a diff erence here between Vienna and Berlin, where a positive portrayal of family played a prime role, at least in the performances held at the Herrn- feld Th eater. See Stefan Hofmann, “Bürgerlicher Habitus und jüdische Zugehörigkeit: Das Herrnfeld-Th eater um 1900,” Jahrbuch des Simon-Dubnow-Instituts 12 (2013): 446. 31. See Daniel Boyarin, Unheroic Conduct: Th e Rise of Heterosexuality and the Invention of the Jewish Man (Berkeley: University of California Press, 1997), 33–80. See also chapter 4 of this study. 32. Marline Otte also discusses this point, if perhaps from another perspective, in her path- breaking study Jewish Identities in German Popular Entertainment, 1890–1933 (Cam- bridge: Cambridge University Press, 2006), 15–16. 33. Anna Drabek, et al., Das österreichische Judentum: Voraussetzungen und Geschichte (Vi- enna: Jugend und Volk, 1982). In particular, see also the Studia Judaica Austriaca series published by the Association of the Österreichisches Jüdisches Museum Eisenstadt (Aus- trian Jewish Museum Einsenstadt). 34. Former UN secretary general Kurt Waldheim ran for president of Austria in 1986. Over the course of his campaign, it was made public that he concealed in his biography certain aspects of his past, namely that he had been an offi cer in the German Wehrmacht during World War II. Waldheim’s actions and the fact that large parts of the Austrian govern- ment and the Austrian public defended him provoked fi erce criticism from outside the country, in particular from the World Jewish Congress. On this, see Cornelius Lehn- guth, Waldheim und die Folgen: Der parteipolitische Umgang mit dem Nationalsozialismus in Österreich (Frankfurt: Campus, 2013), 91–152. 35. For more on the initial activities of the Jewish Museum, see “Das Jüdische Museum der Stadt Wien 1993/94. Chronik,” in Wiener Jahrbuch für jüdische Geschichte, Kultur und Museumswesen (Vienna: Christian Brandstätter, 1994/95), 187–93. 36. Gerald Lamprecht, “Die österreichischen jüdischen Museen im zeitgeschichtlichen Kon- text,” in Zeitgeschichte ausstellen in Österreich: Museen – Gedenkstätten – Ausstellungen, ed. Dirk Rupnow and Heidemarie Uhl (Vienna: Böhlau, 2011), 217–20 [213–35]. 37. Gerhard Bodendorfer, “Ein Forschungsinstitut für ‘Jüdische Kulturgeschichte’ in Salz- burg?!,” in Jüdische Studien: Refl exionen zu Th eorie und Praxis eines wissenschaftlichen Feldes, ed. Klaus Hödl (Innsbruck: StudienVerlag, 2003), 51–72. 38. Marsha L. Rozenblit, Th e Jews of Vienna, 1867–1914: Assimilation and Identity (Albany: State University of New York Press, 1983); Steven Beller, Vienna and the Jews, 1867– 1938 (Cambridge: Cambridge University Press, 1989); Robert S. Wistrich, Th e Jews of Vienna in the Age of Franz Joseph (Oxford: Littman Library of Jewish Civilization, 1990). This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.
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Entangled Entertainers Jews and Popular Culture in Fin-de-Siècle Vienna
Titel
Entangled Entertainers
Untertitel
Jews and Popular Culture in Fin-de-Siècle Vienna
Autor
Klaus Hödl
Verlag
Berghahn Books
Datum
2019
Sprache
englisch
Lizenz
CC BY 4.0
ISBN
978-1-78920-031-7
Abmessungen
14.86 x 23.2 cm
Seiten
196
Kategorien
Geschichte Vor 1918
International

Inhaltsverzeichnis

  1. Introduction 1
  2. 1. Jews in Viennese Popular Culture around 1900 as Research Topic 13
  3. 2. Jewish Volkssänger and Musical Performers in Vienna around 1900 44
  4. 3. Jewishness and the Viennese Volkssänger 78
  5. 4. Jewish Spaces of Retreat at the Turn of the Twentieth Century 121
  6. 5. From Difference to Similarity 148
  7. Conclusion 163
  8. Bibliography 166
  9. Index 179
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