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in österreichischen Tageszeitungen 1890–1914” (PhD thesis, Vienna, 2014), 90. If the
content of a newspaper’s reporting is the deciding factor in determing whether it is spe-
cifi
cally Jewish or general, then the possibility of questionable categorization disappears.
65. Esther Schmidt, “Nationalism and the Creation of Jewish Music: Th
e Politicization of
Music and Language in the German-Jewish Press Prior to the Second World War,” Mu-
sica Judaica 15 (2000–2001): 12–18.
66. Margaret T. Edelheim-Muehsam, “Th e Jewish Press in Germany,” Leo Baeck Institute
Yearbook 1 (1956): 163.
67. “Unser Programm,” Die Wahrheit 1 (1 January 1899): 1.
68. “Programm,” Die Welt 1 (4 June 1897): 1.
69. Fremden-Blatt 1 (1 January 1899), 4; and 3 (3 January 1899), 3.
70. On this, see Joanna Merrill, “American Jewish Identity and Newspapers: Th
e Medium
Th
at Maintained an Imagined Community through a Change in Identity” (bachelor’s
honors thesis in history, University of Colorado, 2012).
71. Rozenblit, Jews of Vienna, 114; Peter Honigmann, “Jewish Conversions—A Measure of
Assimilation? A Discussion of the Berlin Secession Statistics of 1770–1941,” Leo Baeck
Institute Year Book 34 (1989): 3–39.
72. Klaus Hödl, Wiener Juden – Jüdische Wiener: Identität, Gedächtnis und Performanz im
19. Jahrhundert (Innsbruck: StudienVerlag, 2006), 71–90. On Jewish folklore, see Birgit
Johler and Barbara Staudinger, eds., Ist das jüdisch? Jüdische Volkskunde im historischen
Kontext (Vienna: Novographic, 2010).
73. In this instance, Judaism was not understood merely as a religious community. Th is
circumstance, as well as the partial comparability of the scope of Jewish newspapers with
that of Jewish museums and folklore, clearly distinguishes the Jewish press from Protes-
tant media, which also did not maintain comprehensive coverage.
74. Ernst Bollinger, Pressegeschichte II. 1840–1930: Die goldenen Jahre der Massenpresse
(Freiburg: Universitätsverlag Freiburg Schweiz, 1996).
75. On Jewish and non-Jewish interconnectedness, see Peter Schmidtbauer, “Zur sozialen
Situation der Wiener Juden im Jahre 1857,” in Studia Judaica Austriaca, vol. 6 (Eisen-
stadt: Rötzer-Druck, 1978), 57–90. See also Charlotte Maria Toth, “‘Gemma schaun,
gemma schaun . . .’ Vergnügen als Verpfl ichtung? Untersuchung zu den Freizeiträumen
und Freizeitaktivitäten des Wiener Bürgertums in den Jahren 1890–1910” (MA thesis,
Vienna, 1986); Mirjam Zadoff
, Next Year in Marienbad: Th
e Lost Worlds of Jewish Spa
Culture (Philadephia: University of Pennsylvania Press, 2012); Christian Brandstätter,
ed., Wien 1900: Kunst und Kultur: Fokus der europäischen Moderne (Vienna: Christian
Brandstätter, 2005).
76. John M. Efron, Medicine and the German Jews: A History (New Haven, CT: Yale Univer-
sity Press, 2001), 186–233.
77. On the Jewish Renaissance, see Michael Brenner, Jüdische Kultur in der Weimarer Repub-
lik (Munich: Beck, 2000), 31.
78. IWE 185 (9 July 1901): 2.
79. IWE 185 (9 July 1901): 2.
80. Deutsches Volksblatt [DV in subsequent citations] 4494 (10 July 1901): 9.
81. IWE 185 (9 July 1901): 3.
82. DV 4493 (9 July 1901): 2.
83. See Reichpost 155 (10 July 1901): 7; and 156 (11 July 1901): 9–10.
84. Deutsches Volksblatt 4494 (10 July 1901): 9.
85. “Der Raubmord am Neubau,” IWE 27 (28 January 1902): 2.
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Entangled Entertainers
Jews and Popular Culture in Fin-de-Siècle Vienna
- Titel
- Entangled Entertainers
- Untertitel
- Jews and Popular Culture in Fin-de-Siècle Vienna
- Autor
- Klaus Hödl
- Verlag
- Berghahn Books
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY 4.0
- ISBN
- 978-1-78920-031-7
- Abmessungen
- 14.86 x 23.2 cm
- Seiten
- 196
- Kategorien
- Geschichte Vor 1918
- International
Inhaltsverzeichnis
- Introduction 1
- 1. Jews in Viennese Popular Culture around 1900 as Research Topic 13
- 2. Jewish Volkssänger and Musical Performers in Vienna around 1900 44
- 3. Jewishness and the Viennese Volkssänger 78
- 4. Jewish Spaces of Retreat at the Turn of the Twentieth Century 121
- 5. From Difference to Similarity 148
- Conclusion 163
- Bibliography 166
- Index 179