Seite - 74 - in Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna

74 | Entangled Entertainers um 1900,” in Migration und Innovation um 1900: Perspektiven auf das Wien der Jahrhun- dertwende, ed. Elisabeth Röhrlich (Vienna: Böhlau, 2016), 65–97. 59. IWE 123 (3 May 1904): 8. 60. IWE 314 (15 November 1900): 15. 61. IWE 201 (23 July 1902): 14. 62. IWE 71 (13 March 1901): 9. 63. Koller, Volkssängertum, 146, 149. 64. On Fischer’s Purim in 1901, see IWE 63 (5 March 1901): 15. 65. Koller, Volkssängertum, 92–94. 66. IWE 89 (1 April 1902): 8. 67. IWE 354 (25 December 1901): 83. 68. Louis Taufstein, “Ihr einziger Patient,” NÖLA (Th eaterzensur), Box 17/11 (1903). 69. Henry Wassermann, “Stereotype Darstellungen von Juden in der Karikatur,” in Antisem- itismus: Erscheinungsformen der Judenfeindschaft gestern und heute, ed. Günther B. Ginzel (Bielefeld: Wissenschaft und Politik, 1991), 426. 70. Alfred Walters, “Im Heiratsbureaux,” NÖLA (Zensur), Box 17/9 (1903). 71. For more on the stereotype of the Jewish nose, see Sander Gilman, Th e Jew’s Body (New York: Routledge, 1991), 169–93. 72. Homi K. Bhabha, Die Verortung der Kultur (Tübingen: Stauff enburg, 2000), 25–50. 73. Adolfi Hirsch, “Der ‘Dumme Kerl’ im Gänsehäufl ,” NÖLA (Th eaterzensur), Box 23/5 (1912), 5. 74. Josef Armin, “Die Frau mit der Maske: Original-Posse in 1 Akt” (1909; 47 pp.) in NÖLA (Zensurakten), Box 29/6. We can see the degree to which the idea of the “Jew- ish nose” was part and parcel of the thinking of the time in a drawing that appeared in 1899 in the Illustrirte Wiener Extrablatt. Th e purpose of the drawing was to give readers an impression of the “Narrenabend des Wiener Männergesangsvereins” (Fool’s Night at the Viennese Men’s Choral Society). Among the masked men portrayed in the image is Heinrich Eisenbach (1870–1923), who functioned as the leader of the Budapest Or- pheum Society from 1894 until World War I. Eisenbach, whose family was originally from Galicia, is clearly identifi ed by a hooked nose. Despite the disguise he wears, he cannot hide. Even if the sketch in this instance was not the result of anti-Jewish motive, it nevertheless further solidifi es the notorious stereotype that Jews had a particular type of nose. 75. IWE 293 (25 October 1903): 16. 76. IWE 181 (1 July 1904): 15. 77. IWE 49 (18 February 1899): 8. 78. IWE 5 (6 January 1900): 16. 79. Österreichisches Musiklexikon (Verlag der Österreichischen Akademie der Wissenschaf- ten), http://www.musiklexikon.ac.at/ml/musik_H/Hirsch_Familie_2.xml (accessed 12 January 2019). 80. Koller, Volkssängertum, 131. 81. Albert Hirsch, Ringkämpfer in der Koscher-Restauration, NÖLA (Zensur), Box 21/17 (1900). 82. IWE 353 (24 December 1901): 9. 83. See Georg Wacks’s important monograph, Die Budapester Orpheumgesellschaft: Ein Va- rieté in Wien 1889–1919 (Vienna: Holzhausen, 2002). 84. Gluck, Jewish Budapest, 141. This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.