Seite - 144 - in Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna

144 | Entangled Entertainers 13. IWE 352 (25 December 1902); 50. 14. Hans Tietze, Die Juden Wiens: Geschichte, Wirtschaft, Kultur (Vienna: E. P. Tal, 1933), 41–78. 15. Th eophil Antonicek, Die Internationale Ausstellung für Musik- und Th eaterwesen 1892 (Vienna, 2013), 129–30. 16. Arkus Kristan, Oskar Marmorek 1863–1909: Architekt und Zionist (Vienna: Böhlau, 1996), 160. 17. Antonicek, Ausstellung, 130. 18. Th e eff ort to visualize the historical existence of Jews in the city extended to a variety of other endeavors. In this respect, the work of the historical commission of the Jewish Gemeinde (community) of Vienna must be mentioned, as they produced studies on the history of Viennese Jews at the turn of the twentieth century. See Lisa Silverman, Becom- ing Austrians: Jews and Culture between the World Wars (Oxford: Oxford University Press, 2012), 114–15. 19. Albert Hirsch, “Der Apostel vom Schottenfeld,” Niederösterreichisches Landesarchiv [NÖLA in subsequent citations] (Th eaterzensur), Box 21/22 (1902). 20. See IWE 11 (12 January 1902): 25. 21. See Felix Czeike, “Schottenfeld,” in Historisches Lexikon Wien, vol. 5 (Vienna: Kremayr and Scheriau, 1992), 135–36. 22. IWE 61 (4 March 1900): 7–8. 23. IWE 241 (2 September 1900): 7. 24. See, for example, IWE 1 (1 January 1899): 3. 25. IWE 76 (18 March 1901): 4. 26. On the casting, see IWE 10 (11 January 1902): 12. 27. Th e fi re at the Vienna Ringtheater took place on 8 December 1881. It was one of the worst fi res in Austria during the nineteenth century. Almost four hundred people lost their lives. 28. Albert Hirsch, A Gschicht’ von anno dazumal, NÖLA (Th eaterzensur), Box 21/1 (1898). 29. “Altwiener Toilette,” Die Wahrheit 12 (1903): 7. 30. “Altwiener Toilette,” 7. 31. On this topic, see also Klaus Hödl, “Th e Quest for Amusement: Jewish Leisure Activities in Vienna circa 1900,” Jewish Culture and History 14, no. 1 (2013): 1–17. 32. Naomi Lubrich, “Th e Wandering Hat: Iterations of the Medieval Jewish Pointed Cap,” Jewish History 29 (2015): 203–44. 33. Friedrich Jaeger, Jörn Rüsen, Geschichte des Historismus (Munich: C. H. Beck, 1992), 165. 34. Moritz Csáky, “Geschichtlichkeit und Stilpluralität. Die sozialen und intellektuellen Vo- raussetzungen des Historismus,” in Der Traum vom Glück. Die Kunst des Historismus in Europa, ed. Hermann Fillitz (Vienna: Christian Brandstätter, 1996), 29. 35. Bernhard Giesen, Kollektive Identität. Die Intellektuellen und die Nation 2 (Frankfurt: Suhrkamp, 1999), 184. 36. Krämer, “Monet,” 19–20. 37. IWE 112 (25 April 1907): 5. 38. Baron, “Vienna,” 47. 39. Salten, Anlitz, 61. 40. On Jewish cultural fi gures’ references to the past, see Peter Gay, Die Moderne (Frankfurt: S. Fischer Verlag, 2008), 59, 101. 41. Nikolaus Vielmetti, “Vom Beginn der Neuzeit bis zur Toleranz,” in Das österreichische This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.