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Entangled Entertainers - Jews and Popular Culture in Fin-de-Siècle Vienna
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170 | Bibliography Giesen, Bernhard. Kollektive Identität: Die Intellektuellen und die Nation, vol. 2. Frankfurt: Suhrkamp, 1999. Gillerman, Sharon. “Muscles by Mail: Jewishness and the Self-Made Man in Post-World War I America.” Presented at the workshop “Jews and the Study of Popular Culture,” German Studies Association, Arlington, Virginia, October, 2015. Gilloch, Graeme. Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity Press, 1996. Gilman, Sander. Diff erence and Pathology: Stereotypes of Sexuality, Race, and Madness. Ithaca, NY: Cornell University Press, 1985. ———. Franz Kafka, the Jewish Patient. New York: Routledge, 1995. ———. Inscribing the Other. Lincoln: University of Nebraska Press, 1991. ———. Jewish Self-Hatred: Anti-Semitism and the Hidden Language of the Jews. Baltimore: Johns Hopkins University Press, 1986. ———. Th e Jew’s Body. New York: Routledge, 1991. Glenn, Susan A. Daughters of the Shtetl: Life and Labor in the Immigrant Generation. Ithaca, NY: Cornell University Press, 1990. ———. “In the Blood? Consent, Descent, and the Ironies of Jewish Identity.” Jewish Social Studies 8, no. 2 (2002): 139–52. Gluck, Mary. Th e Invisible Jewish Budapest: Metropolitan Culture at the Fin de Siècle. Madison: University of Wisconsin Press, 2016. Goldberg, Sylvie Anne. “Temporality as Paradox: Th e Jewish Time.” In Jewish Studies in a New Europe: Proceedings of the Fifth Congress of Jewish Studies in Copenhagen 1994 under the Auspices of the European Association for Jewish Studies, edited by Ulf Haxen, 284–92. Copenhagen: Reitzel, 1998. Gombrich, Ernst H. Jüdische Identität und jüdisches Schicksal: Eine Diskussionsbemerkung. Vi- enna: Passagen Verlag, 1997. Goodman, Susan Tumarkin. “Reshaping Jewish Identity in Art.” In Th e Emergence of Jewish Artists in Nineteenth-Century Europe, edited by Susan Tumarkin Goodman, 15–29. New York: Merrell, 2001. Gordon, Mel, and Erik Jan Hanussen. Hitler’s Jewish Clairvoyant. Los Angeles: Feral House, 2001. Göttche, Erich Bernard. Das Gschwandner: Ein legendäres Wiener Etablissement. Vienna: Met- roverlag, 2012. Gotzmann, Andreas. “Reconsidering Judaism as a Religion – Th e Religious Emancipation Period.” Jewish Studies Quarterly 7, no.4 (2000): 352–366. Gschiel, Christian, Ulrike Nimeth, and Leonhard Weidinger. Schneidern und Sammeln: Die Wiener Familie Rothberger. Vienna: Böhlau Verlag, 2010. Guttmann, Richard. Variété: Beiträge zur Psychologie des Pöbels. Vienna: Deutsch-Österreichi- scher Verlag, 1919. Hahn, Barbara. Die Jüdin Pallas Athene: Auch eine Th eorie der Moderne. Berlin: Berliner Ta- schenbuch Verlag, 2005. Hart, Mitchell B. Social Science and the Politics of Modern Jewish Identity. Stanford, CA: Stan- ford University Press, 2000. Hasan-Rokem, Galit, and Alan Dundes, eds. Th e Wandering Jew: Essays in the Interpretation of a Christian Legend. Bloomington: Indiana University Press, 1986. Haskel, Bernhard. Im schwarzen Rössl. NÖLA (Zensur). 1898. Box 115/35. Hauenstein, Hans. Chronik des Wienerliedes: Ein Streifzug von den Minnesängern über den li- This open access edition has been made available under a CC BY 4.0 license thanks to the support of Knowledge Unlatched.
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Entangled Entertainers Jews and Popular Culture in Fin-de-Siècle Vienna
Titel
Entangled Entertainers
Untertitel
Jews and Popular Culture in Fin-de-Siècle Vienna
Autor
Klaus Hödl
Verlag
Berghahn Books
Datum
2019
Sprache
englisch
Lizenz
CC BY 4.0
ISBN
978-1-78920-031-7
Abmessungen
14.86 x 23.2 cm
Seiten
196
Kategorien
Geschichte Vor 1918
International

Inhaltsverzeichnis

  1. Introduction 1
  2. 1. Jews in Viennese Popular Culture around 1900 as Research Topic 13
  3. 2. Jewish Volkssänger and Musical Performers in Vienna around 1900 44
  4. 3. Jewishness and the Viennese Volkssänger 78
  5. 4. Jewish Spaces of Retreat at the Turn of the Twentieth Century 121
  6. 5. From Difference to Similarity 148
  7. Conclusion 163
  8. Bibliography 166
  9. Index 179
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