Page - 1350 - in The Complete Plato

fixed, and exhibited the patterns of them in their temples; and no painter or artist is allowed to innovate upon them, or to leave the traditional forms and invent new ones. To this day, no alteration is allowed either in these arts, or in music at all. And you will find that their works of art are painted or moulded in the same forms which they had ten thousand years ago;—this is literally true and no exaggeration—their ancient paintings and sculptures are not a whit better or worse than the work of to–day, but are made with just the same skill. Cleinias. How extraordinary! Athenian. I should rather say, How statesmanlike, how worthy of a legislator! I know that other things in Egypt are nat so well. But what I am telling you about music is true and deserving of consideration, because showing that a lawgiver may institute melodies which have a natural truth and correctness without any fear of failure. To do this, however, must be the work of God, or of a divine person; in Egypt they have a tradition that their ancient chants which have been preserved for so many ages are the composition of the Goddess Isis. And therefore, as I was saying, if a person can only find in any way the natural melodies, he may confidently embody them in a fixed and legal form. For the love of novelty which arises out of pleasure in the new and weariness of the old, has not strength enough to corrupt the consecrated song and dance, under the plea that they have become antiquated. At any rate, they are far from being corrupted in Egypt. Cleinias. Your arguments seem to prove your point. Athenian. May we not confidently say that the true use of music and of choral festivities is as follows: We rejoice when we think that we prosper, and again we think that we prosper when we rejoice? Cleinias. Exactly. Athenian. And when rejoicing in our good fortune, we are unable to be still? Cleinias. True. Athenian. Our young men break forth into dancing and singing, and we who are their elders deem that we are fulfilling our part in life when we look on at them. Having lost our agility, we delight in their sports and merry– making, because we love to think of our former selves; and gladly institute contests for those who are able to awaken in us the memory of our youth. Cleinias. Very true. Athenian. Is it altogether unmeaning to say, as the common people do about 1350