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fixed, and exhibited the patterns of them in their temples; and no painter or
artist is allowed to innovate upon them, or to leave the traditional forms and
invent new ones. To this day, no alteration is allowed either in these arts, or in
music at all. And you will find that their works of art are painted or moulded
in the same forms which they had ten thousand years ago;—this is literally
true and no exaggeration—their ancient paintings and sculptures are not a
whit better or worse than the work of to–day, but are made with just the same
skill.
Cleinias. How extraordinary!
Athenian. I should rather say, How statesmanlike, how worthy of a
legislator! I know that other things in Egypt are nat so well. But what I am
telling you about music is true and deserving of consideration, because
showing that a lawgiver may institute melodies which have a natural truth and
correctness without any fear of failure. To do this, however, must be the work
of God, or of a divine person; in Egypt they have a tradition that their ancient
chants which have been preserved for so many ages are the composition of
the Goddess Isis. And therefore, as I was saying, if a person can only find in
any way the natural melodies, he may confidently embody them in a fixed
and legal form. For the love of novelty which arises out of pleasure in the new
and weariness of the old, has not strength enough to corrupt the consecrated
song and dance, under the plea that they have become antiquated. At any rate,
they are far from being corrupted in Egypt.
Cleinias. Your arguments seem to prove your point.
Athenian. May we not confidently say that the true use of music and of
choral festivities is as follows: We rejoice when we think that we prosper, and
again we think that we prosper when we rejoice?
Cleinias. Exactly.
Athenian. And when rejoicing in our good fortune, we are unable to be
still?
Cleinias. True.
Athenian. Our young men break forth into dancing and singing, and we
who are their elders deem that we are fulfilling our part in life when we look
on at them. Having lost our agility, we delight in their sports and merry–
making, because we love to think of our former selves; and gladly institute
contests for those who are able to awaken in us the memory of our youth.
Cleinias. Very true.
Athenian. Is it altogether unmeaning to say, as the common people do about
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Buch The Complete Plato"
The Complete Plato
- Titel
- The Complete Plato
- Autor
- Plato
- Datum
- ~347 B.C.
- Sprache
- englisch
- Lizenz
- PD
- Abmessungen
- 21.0 x 29.7 cm
- Seiten
- 1612
- Schlagwörter
- Philosophy, Antique, Philosophie, Antike, Dialogues, Metaphysik, Metaphysics, Ideologie, Ideology, Englisch
- Kategorien
- Geisteswissenschaften
- International