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553Strada’s
Circle
Hofburg and the Landhaus, the proud new building erected for the Estates of
Lower Austria, this quarter soon became the most exclusive residential quarter
of town. One of the earliest of the new aristocratic dwellings, in a situation
that made it quite conspicuous to anyone walking along the top of the city
wall, and built in an exclusive, avant-garde style, Strada’s own house must have
excited his neighbours’ interest. Even had Strada not been as eager to show off
his prized possessions as Titian’s portrait suggest, he would never have refused
hospitality to the higher-ranking courtiers, who could so easily influence his
own position at court. That some of these high functionaries indeed shared
Strada’s interests and patronised his work is documented in the cases of the
Hofkammerpräsident Reichard Strein von Schwarzenau and the Imperial Gen-
eral Lazarus von Schwendi, both intellectuals and erudite authors as well as
men of action [Figs. 10.33 and 11.14].10 The same would be true for some of the
visitors to the court—an example is the Milanese nobleman Prospero Visconti,
himself a learned and assiduous collector, and active as agent and advisor on
artistic matters of the Bavarian court. He visited Strada’s house when he came
to Vienna in attendance on Duke Albrecht v of Bavaria during the wedding
10 In 1573 Strein promoted Strada’s attempt to obtain funding for some of his publications
[Doc. 1573-00-00]; in 1577 Strada offered the Grand Duke of Tuscany coloured images from
a book with imperial portraits commissioned by Schwendi, to which he was granted ac-
cess—probably because he had himself produced it, which he may have found politic not
to tell the Grand Duke [Docs. 1577-10-04/C and 1577-10-04/D].
Figure 11.12 Juraj Drašković, Archbishop of Kalocsa and Chancellor of Hungary, lived in
Strada’s house.
Figure 11.13 Wilhelm iv, Landgrave of Hessen-Kassel, received Strada in Kassel.
Figure 11.14 Lazarus von Schwendi, a famous general serving Ferdinand i and Maximilian
ii, shared some of Strada’s interests.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038