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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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555Strada’s Circle Chancellor of the Kingdom of Hungary. This Lord is Juraj Drašković, who was Legate at the Council of Trent. He lodges in my house, in the rooms on the upper floor, and also in my house is the Chancery of the Kingdom of Hungary. I also wanted to invite two friars of the Dominican convent, the Lecturer of the University, and the preacher Cittardo, which are all most learned men, in order that the gentleman would have conversation with most learned men, which, besides speaking Italian, are most con- summate in all sciences and branches of study. I believe he would have been most satisfied [with his visit], and that he would have well spent that day.13 We have already met Drašković above [Fig. 11.12; cf. Ch. 7]; the others are more difficult to identify, because it is not clear whether Strada invited two Domini- can friars in addition to the ‘Lettor del Studio’ and the ‘Predicator Cittardo’ or, more likely, that he adds these functions and names merely to specify the two Dominicans. In either case the second certainly was not Ferdinand’s and Maxi- milian’s sympathetic court preacher, Matthias Cithardus, who had died in 1566, but probably the Dominican Konrad Zittardus, who died in 1606 as Provincial superior of his order in South Germany and Austria.14 This is a rare documented instance of the type of entertainment Strada of- fered his educated upper class visitors. Though it records a visit that had not actually taken place, it is valuable in sketching Strada’s own aspirations of his house as a haven of educated discourse, learning, and erudite entertainment, and a place where people from different walks of life could meet for a pleasant and fruitful exchange of ideas. Strada probably cast himself as their generous host, whose urbanity served to put his guests at their ease, and whose wide range of knowledge and interests enabled him to set fruitful topics of conversa- tion, which could moreover be enlivened and illustrated by the inspection of the various materials in his Musaeum. In this he must have been successful, if the letter in which Hubert Languet recommended him to the Elector August of Saxony is to be believed.15 13 Doc. 1581-11-02 (transcription in Appendix A). 14 On Matthias Cithardus, adb, 34, 1892, pp. 423–424, s.v. ‘Sittard, Matthias’; on Konrad, ibi- dem, 45, 1900, pp. 368–369, s.v. ‘Zittardus, Konrad’. It is interesting that Strada, in trouble with the Inquisition led by Dominicans during his visit to Mantua in 1567 (his image and that of his son Paolo had been burnt in effigie in Mantua, ‘come eretici confirmati’ just a few months before the date of this letter), should in Vienna consort with members of the same order. 15 Doc. 1576-09-07: ‘Est iudicio omnium praeclare versatus in iis artibus quas profitetur, ad quod accedit, quod potest sua manu elegantissime exprimere quicquid libet, cuius rei poterit V.C.do facere periculum.’
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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