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Chapter
13636
Belisario Vinta, secretary of Ferdinando I de’ Medici, Grand Duke of Tuscany,
informing him of his father’s decease a few weeks earlier, and then offering
to present some of the effects he had left to the Grand Duke: a numismatic
manuscript, dozens of ‘belissime Medaglioni’ and other objects, and he also
promises a gift to Vinta himself. Almost as an afterthought, he then continues:
We also still have beautiful drawings by the hands of Michel Angelo,
Rafael Urbino, Pirin del Vaga, Francesco Parmesano, Julio Romano etc.,
that my father considered his [greatest] treasure; and to us they are use-
less, whereas over there [in Tuscany] they would be prized; and my father
had the opportunity to buy them, being in Italy at that time, when these
excellent men [‘valenthuomini’] were living.17
There was no immediate response to this offer, and Ottavio did not pursue the
matter. But by August 1589, when he had come to Vienna, he claimed to have
obtained access to his father’s studio, one item of which he now offers to the
Grand Duke:
Some months ago Signor Curtio da Picchena asked me to help him find
designs by Alberto Durero, for which he had a commission from Duke Vir-
ginio [= Virginio Orsini, Duke of Bracciano, nephew of the Grand Duke];
for His Excellency wished to bring together a book of such designs.<…>
Now if I knew that His Highness [= the Grand Duke] would be interested
to have a similar book, I now possess one, which I inherited from the stu-
dio of my father, who considered it a jewel and has never wanted to part
with it, and in the said book there are the most beautiful and best printed
designs that the said Alberto Durero ever made.18
was resolved in some sort of settlement, referred to in a note on the copy of Strada’s will
in the Vienna Nationalbibliothek.
17 asf, Medici del Principato 810, fol. 129: ‘ce ne ritroviamo ancora de belissimi disegni fatti
a mano d’ Michel Angelo, Rafael Urbino, Pirin del Vaga, Francesco Parmesano, Julio Ro-
mano etc., che mio padre [ebbe?] per il suo Thesoro; et a noi non serve niente, et costì
sarebbano in stimatione; et mio padre hebbe commodità a comprarli, trovandosi in quelli
tempi in Italia, quando vivevano tali valenthuomini’.
18 asf, Medici del Principato 807, fol. 275, Ottavio Strada to Belisario Vinta, Vienna,28 August
1589: ‘essendo alcuni mesi, che’l S[igno]r Curtio da Picchena mi pregò che volessi aiutar di
cercare disegni del Alberto Durero, che sua sig[noria] haveva commissione di del S[igno]
re Duca Virginio, che Sua Ex[cellen]za voleva meterci un libro insieme di tali disegni<…>
Hora se io sapessi che Sua Al[tez]za suo padrone havesse desiderio di haver un simil libro,
io me ne ritrovo hora uno, che hereditai del studio di mio padre, el qual teneva per un
gioia e mai senel ha volsuto privarsene, et sonno gli piu belli et ben stampati disegni in
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038