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the Strahov codex well demonstrates the interest that Giulio’s works aroused
among his own contemporaries.
At the end of the volume some material is included that had nothing do
with Giulio: a number of ground plans of Italian churches, the plan of a palace
and a plan and section of what is probably (a reconstruction of) an ancient
Roman building [fol. 157/266; Fig. 13.20]. Its carefully executed hatchings show
it to be a design prepared for the (wood)engraver—the sheet is squared for
transfer—which relates this latter drawing to the Serlio treatise, perhaps even
to that master himself. On the other hand the partly lost annotation in the
right corner seems a later addition: the handwriting suggest that it is Strada
himself who noted how much of this reconstructed Roman ruin was still actu-
ally standing: ‘from the outside<…>all ruined’.43
The other four architectural drawings seem all later, and appear to be drawn
in the same hand. They represent the plans of a Renaissance palace [fol.
159/268; Fig. 13.21] and of three churches, the cathedrals of Pisa [fol. 155/264;
Fig. 13.22] and of Florence [fol. 158/267; Fig. 13.23], and Brunelleschi’s church of
San Lorenzo in the latter city [fol. 156/265; Fig. 13.24]. These plans are simple
43 Bukovinská/Fučíková/Konečný 1984, p. 182, cat. nr. 157/266 (as ‘Querschnitt und Grundriß
einer Kirche’): ‘di fuori si fà [word cut off] / tutto ruinato’. It is conceivable that during his
1554–55 visit to Rome Strada would have compared his newly acquired documentation of
Roman monuments with their remains. I have not yet identified the building; which looks
like a section of a thermal complex or a residential palace, rather than a temple. Its image
is not included in the published Serlio volumes.
Figure 13.18 Strahov codex, fol. 30/39: Giulio Romano, design for a wall tomb.
Figure 13.19 Strahov codex, fol. 25/30: after Giulio Romano?, design for the tomb of
Francesco II Gonzaga.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038