Page - 658 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Image of the Page - 658 -
Text of the Page - 658 -
Chapter
13658
Romano, in accordance with Castiglione’s will of 1523. It should be noted
that the same church housed the tomb of Jacopo Strada’s granduncle.49
– An inscription which was not realized or has disappeared, intended as an
epitaph for the funerary chapel of some ‘Benefactor of the Holy Blood’,
and which in the codex is attributed to the Mantuan court poet Benedetto
Lampridio [fol. 25v]. It can be linked to the chapel of Isabella Boschetto
in Sant’Andrea, in which were buried the remains of Saint Longinus: the
drops of Christ’s blood caught up by this Roman soldier at the Crucifixion
constituted Mantua’s most precious relic. The decoration of the chapel was
commissioned by Federigo Gonzaga in 1531 and executed by Giulio Romano
in about 1532–1534.50
– An Italian summary of Appianus’ description of the triumph of Scipio [fol.
97], probably drafted in connection with Giulio’s designs of the cartoons of
a cycle of tapestries of that subject, a commission from Francis i of France,
work on which probably began in about 1533. It closely corresponds to
Giulio’s modelli for the series now in the Louvre.51
49 Above, Chapter 1; on Castiglione’s tomb, see Cian 1942; Laskin 1967;Howard Burns and
Pier Nicola Pagliara, ‘La Capella Castiglioni’, in Giulio Romano 1989, pp. 532–534.
50 Bacou/Béguin 1983, cat. nr. P3, pp. 123–126; Hartt 1958, i, pp. 208–211; Juřen, 1986, p. 136;
Giuseppe Pecorari, ‘Le commissioni artistiche della famiglia Boschetti’, in Giulio Romano
1989, pp. 442–445.
51 Hartt 1958, i, p. 227–231; Jestaz/ Bacou 1974; Juřen 1986, pp. 112–117 and 176–177; Nello Forti
Grazzini, ‘Arazzi’, in Giulio Romano 1989, pp. 466–479.
Figures 13.38–13.40 Codex Chlumczansky, fol. 3v.: anonymous design for a fountain; fol. 5r.:
anonymous, documentary drawing of the tomb of Petrarch at ArquÃ
Petrarca and its inscriptions; fol. 12v., top: transcription of a classical
inscription (original album); bottom: addition, transcription of the
epitaph for the tomb of Baldassare Castiglione in Santa Maria delle
Grazie near Mantua.
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038