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By the time they were adolescents their father took great pains to obtain
some secure basic income for them, in the form of an ecclesiastical ben-
efice or a secular sinecure. Thanks to Maximilian’s explicit recommendation
to Duke Guglielmo Gonzaga, the eldest, Paolo, was elected a canon of Man-
tua Cathedral.9 When their education was complete both Paolo and Ottavio
served as gentlemen of the chamber to Archduke Ernest and to King Rudolf
respectively.10 But both sons were also trained by their father himself, who
9 The success of Strada’s attempt to obtain a benefice in Mantua cathedral for his son Paolo
was doubtless due to Maximilian ii’s strong support (Docs. 1565-05-12, 1565-05-15; 1565-10-15;
1565-10-23; 1567-03-19; 1567-03-24; 1567-03-25; 1567-06-11; 1568-12-05; 1568-12-28). About the
same time Strada attempted to obtain a benefice in Antwerp for one of his sons from Philip ii,
probably in return for the numismatic manuscript he had presented to the king; but when
this turned out to be impossible he opted for a ‘pensione’ in Milan, and showing a quite
pragmatic attitude: ‘Io non domando più cosa di chiesa, ma una pensione; io non des-
sidero già cosa grande, perchè domandandola mi fosse negata, ne anche tanto basso che
non meritasse la spesa di averla domandata’. (Strada to Dietrichstein, Doc. 1566-03-01).
10 ‘Et alla Signoria Vostra io con li mei figliuoli salutiamo Vostra Signoria per sempre. Ottavio
sta con Sua Maestà Cesarea et Pauolo con l’Arciducha Hernest, si che tutti doi sono
Figure 14.1 Ottavio Strada, Emblems of Emperor Maximilian ii and Empress Maria,
drawings in pen and coloured inks in his ms. Simbola Romanorum
imperatorum, Cambridge (Mass.), Houghton Library.
Figure 14.2 Ottavio Strada, Design for a treadmill for grinding corn, drawing in pen and
ink in his ms. Variae ac faciles molendina construendi inventiones; Munich,
Bayerische Staatsbibliothek.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038