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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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733Ambitions as a Publisher Ottavio’s advice in his 1574 letter to his father not to publish a German edition of the Epitome, because a German edition already existed, ‘with the same med- als as ours’.25 14.4.2 The Copyright Privilege of January 1556 The many copies preserved are another indication that the Epitome thesauri antiquitatum was a success. Certainly it also will have increased Strada’s pres- tige, so it is not surprising that he intended to continue the experiment. So once returned to Nuremberg in late 1555, he prepared a request to the Emperor Charles v for a copyright privilege pertaining to a number of books he was pre- paring and intended to publish at short notice. The privilege was granted on 8 January 1556. It describes five quite substantial encyclopaedic historical works. The first of these is a complete edition of the Fasti consulari et triumphali, a huge inscription listing the names of the annually elected magistrates of the Roman Republic.26 As mentioned in Chapter 3.6, the fragments of this had been found in the Forum Romanum in 1546, and on the initiative of Cardinal Alessandro Farnese had been collected and set up in a room in Michelangelo’s Palazzo dei Conservatori on the Capitol. Known since then as the Fasti capi- tolini, this serial inscription was of great value in establishing the chronology of the Roman Republic and the Empire, and had already given rise to several publications and controversies. It had been transcribed and edited by Onofrio 25 Doc. 1574-12-05: ‘Della Epitome l’è ben vero che sarebe un bella cosa se fusse stampato in totesco, ma ‘l de già vi è stampato in todesco, con le medeme medaglie come le nostre; però se volesse far quella spesa bisognerei far le roversi apresso, et costarebe troppo’. Strada 1557 was an exact copy of Strada’s own edition, printed by Andreas Gessner in Zürich. Diethelm Keller’s Kunstliche und aigendtliche Bildtnussen der rhomischen Keyseren, ihrer Weybern und Kindern, Zürich 1558, is a reworking of Strada’s Epitome thesauri antiquita- tum and Guillaume Rouillé’s Promptuaire des médailles, using woodcuts carefully copied from Strada’s book; Imperatorum Romanorum omnium orientalium et occidentalium veris- simae imagines, Zürich 1559, uses a selection of Strada’s biographies to explain Rudolf Wyssenbach’s earlier series of woodcuts. Both books were again published by Andreas Gessner in Zürich. Surveys of all editions in Dekesel 1997, pp. 871–875, cat. nr 5/ S70–S74 (Cat. 5), and Pelc 2002, cat. nrs. 96 (pp. 207–208) and 142, 143, 144 (pp. 253–255). 26 Doc 1556-01-08: ‘Fasti in Romana historia ab urbe condita, hoc est regum, consulum, dic- tatorum, magistrorum equitum, tribunorum militum consularis potestatis, censorum, imperatorum et aliorum quorundam magistratuum Romanorum, una cum ovationibus eorum et triumphis, a Romulo rege primo usque ad imperatorum Carolum Quintum augustum, tum ex Capitolio tum reliquis antiquissimis monumentis desumptos On- ophrio Panvinio, Veronensi, auctore, tomus primus, ex museo Jacobi de Strada, Mantuani antiquarii’.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court