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737Ambitions
as a Publisher
v in the book itself.34 The Venetian privilege, dated 27 April 1557, is a terminus
post quem for the actual printing of the book, the first sheets of which came off
the press in October or November of that year.35
Strada paid much attention to the appearance of the books: both are set
in beautiful type; the Fasti et triumphi is printed in two colours and was illus-
trated with imperial portraits, for which the woodblocks of the Lyon Epitome
were reused [Figs. 14.15–14.17]; the Epitome pontificum was illustrated with
woodcuts representing the coats of arms of each Pope and of the principal
cardinals created during their reign [Figs. 14.19–14.20]. Unfortunately Strada
paid less attention to the actual typesetting of the Fasti et triumphi, which re-
sulted in an ill-corrected volume with typographical errors which made the
book unreliable as a work of chronological reference.36 Understandably this
infuriated Panvinio, who was in Venice at the time and decided to disavow
34 Docs. 1556-09-18 and 1557-04-27.
35 Doc. 1557-11-27.
36 Since Panvinio’s chronological tables were based on the Fasti Capitolini, it would have
been logical to number the Capitoline years on the left hand side, as they actually ap-
pear on the marbles, and the years according to the Varronian system on the right; yet
in Strada’s edition the headings to the columns on the first page indicate the opposite,
and initially the years are in fact numbered as indicated in these headings. It appears,
however, that this inconsistency was discovered after a few pages had been printed, and
on page 5 the columns are tacitly shifted about: that is, from the year 250 ab urbe con-
dita the Capitoline and Varronian calendars appear as they were presumably intended by
Panvinio. But Strada, or his printer, neglected to correct the first five pages, which ought
Figures 14.18–14.20 Strada’s edition of Onofrio Panvinio’s Epitome pontificum Romanorum,
Venice 1557: title page; page 374: beginning of the entry of Leo X de’
Medici, and p.379, part of the list and relevant illustrations of the fifth
creation of cardinals during Leo’s pontificate.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038