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Chapter
14748
In his letter to his father of November 1574 Ottavio Strada repeatedly refers to
such a book of ‘mascare’, which he thought would sell well, but the book was
never published in the form envisaged, though a number of woodcuts by Jost
Amman for its illustrations were in fact executed and printed, some of which
at least based on Jacopo’s own designs [above, Figs. 4.23–4.25].57
The last two works mentioned in the privilege were dedicated to numismat-
ics: nr vi. presented a series of coins of all Roman, Byzantine and German Em-
perors and their various family members, and to which Strada added those of
the Ravenna Exarchs and the Lombard kings of Italy. It was basically intended
as a conventional though relatively complete ‘Bildnisvitenbuch’, a picture book
in which the images of each personage were accompanied by only the briefest
potted biographies or ‘elogii’.58
Nr vii., on the other hand, was a much more ambitious work: probably
an evolution of the numismatic corpus described in Strada’s 1556 privilege, it
provided full biographies of all these same Emperors, their relatives, usurping
tyrants, exarchs and so on, each of which was to be followed by a complete
survey of the coins struck during their reigns.59 These illustrations were based
on the numismatic material Strada had collected during his travels, which he
had had carefully engraved in copperplate, rather than in woodcuts as in his
57 Cf. above, Ch. 4.3.5.
58 Doc. 1574-04-30: ‘vi. Series imperatorum Romanorum ac Graecorum et Germanorum
a Caio Julio, Cai filio, Cai ne pote, caesare usque ad Maximilianum ii. caesarem pium
felicem augustum una cum liberis patrinis atque matrinis ex aureis, argenteis, aereis
numismatibus quam fidelissime delineatis; inservimus etiam iuxta tempora exarchos et
Longhobardorum reges omnesque cum ipsorum elogiis breviter descripsimus’.
59 Ibid.: ‘vii. Vitae imperatorum Romanorum, item Contantinopolitanorum et Germanorum
omnium, qui fuerunt a Caio Julio, Cai filio, Cai nepote, Caesare usque ad Maximilianum
ii. Imperatorem, Caesarem Pium Felicem Augustum, cum omnibus eorundem uxorum,
filiorum et consanguineorum historiis. Attulimus quoque vitas universorum eorum
tyrannorum, qui diversis in mundi partibus Romanum imperium vi vel fraudibus sibipsis
subiicere conati fuere. Insuper ad illustrationem horum omnium vitas etiam eorum exar-
charum posuimus, qui sedes atque habitationes suas Ravennae, urbe nobilissima Italiae,
habuerunt. Tomi viii. Posuimus in cuiuslibet imperatoris vitae fine numismata ea, quae
de illo passim per hunc orbem terrarum nos videre atque invenire potuerimus quaeque
vel in Italia vel in aliis similibus provinciis tum etiam in Graecia ex auro, argento, aere
excussae fuere, ita nimirum, ut ea primo quidem summa fidelitate, imitatione et diligen-
tia ad unguem et ad similitudinem verorum antiquorum delineanda, deinde autem in
tabulis aereis pulchre excidenda typoque demandanda curaverimus, item in fine harum
tabularum cuiuslibet etiam numismatis descriptionem anneximus. Tandem finitis hisce
omnibus habes quoque fastos et annales consulatuum cuiuslibet imperatoris, ut nimirum
sie, quid quilibet imperator, quolibet anno et tempore patraverit, tanto rectius cognoscere
queas, ubi tamen maioris doctrinae et testimoninii gratia similiter et inscriptiones anti-
quas, quae in marmoribus et tabulis aeneis incisae et sub nominibus eorundem impera-
torum appositae fuerunt, diligenter adiunximus etc’.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038