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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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Chapter 14748 In his letter to his father of November 1574 Ottavio Strada repeatedly refers to such a book of ‘mascare’, which he thought would sell well, but the book was never published in the form envisaged, though a number of woodcuts by Jost Amman for its illustrations were in fact executed and printed, some of which at least based on Jacopo’s own designs [above, Figs. 4.23–4.25].57 The last two works mentioned in the privilege were dedicated to numismat- ics: nr vi. presented a series of coins of all Roman, Byzantine and German Em- perors and their various family members, and to which Strada added those of the Ravenna Exarchs and the Lombard kings of Italy. It was basically intended as a conventional though relatively complete ‘Bildnisvitenbuch’, a picture book in which the images of each personage were accompanied by only the briefest potted biographies or ‘elogii’.58 Nr vii., on the other hand, was a much more ambitious work: probably an evolution of the numismatic corpus described in Strada’s 1556 privilege, it provided full biographies of all these same Emperors, their relatives, usurping tyrants, exarchs and so on, each of which was to be followed by a complete survey of the coins struck during their reigns.59 These illustrations were based on the numismatic material Strada had collected during his travels, which he had had carefully engraved in copperplate, rather than in woodcuts as in his 57 Cf. above, Ch. 4.3.5. 58 Doc. 1574-04-30: ‘vi. Series imperatorum Romanorum ac Graecorum et Germanorum a Caio Julio, Cai filio, Cai ne pote, caesare usque ad Maximilianum ii. caesarem pium felicem augustum una cum liberis patrinis atque matrinis ex aureis, argenteis, aereis numismatibus quam fidelissime delineatis; inservimus etiam iuxta tempora exarchos et Longhobardorum reges omnesque cum ipsorum elogiis breviter descripsimus’. 59 Ibid.: ‘vii. Vitae imperatorum Romanorum, item Contantinopolitanorum et Germanorum omnium, qui fuerunt a Caio Julio, Cai filio, Cai nepote, Caesare usque ad Maximilianum ii. Imperatorem, Caesarem Pium Felicem Augustum, cum omnibus eorundem uxorum, filiorum et consanguineorum historiis. Attulimus quoque vitas universorum eorum tyrannorum, qui diversis in mundi partibus Romanum imperium vi vel fraudibus sibipsis subiicere conati fuere. Insuper ad illustrationem horum omnium vitas etiam eorum exar- charum posuimus, qui sedes atque habitationes suas Ravennae, urbe nobilissima Italiae, habuerunt. Tomi viii. Posuimus in cuiuslibet imperatoris vitae fine numismata ea, quae de illo passim per hunc orbem terrarum nos videre atque invenire potuerimus quaeque vel in Italia vel in aliis similibus provinciis tum etiam in Graecia ex auro, argento, aere excussae fuere, ita nimirum, ut ea primo quidem summa fidelitate, imitatione et diligen- tia ad unguem et ad similitudinem verorum antiquorum delineanda, deinde autem in tabulis aereis pulchre excidenda typoque demandanda curaverimus, item in fine harum tabularum cuiuslibet etiam numismatis descriptionem anneximus. Tandem finitis hisce omnibus habes quoque fastos et annales consulatuum cuiuslibet imperatoris, ut nimirum sie, quid quilibet imperator, quolibet anno et tempore patraverit, tanto rectius cognoscere queas, ubi tamen maioris doctrinae et testimoninii gratia similiter et inscriptiones anti- quas, quae in marmoribus et tabulis aeneis incisae et sub nominibus eorundem impera- torum appositae fuerunt, diligenter adiunximus etc’.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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