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Strada’s optimism was misplaced: considered as an investment in real estate
his house turned out to be a failure, and he would continue his unsuccessful at-
tempts to convert it into ready money for the rest of his life. Rožmberk appears
not to have risen to the bait, for in a letter to Hans Jakob Fugger of 1 March of
the same year Strada proposed the house as a suitable residence for Prince
Ferdinand of Bayern, Duke Albrecht’s second son, who was rumoured to come
and spend a few years at the Imperial court; but this offer again yielded no
positive response.80 In November 1575 Strada approached Elector August of
Saxony. After thanking him for the subvention he had been given for the poly-
glot Dictionary, and presenting him with a set of copies of Titian’s portraits of
the first twelve Roman Emperors in return, Strada continues with a glowing
description of his Kunstkammer and his library. He then presents its key to the
Elector, thus symbolically presenting its contents, and begging him to accept it
in exchange for a modest annual pension to maintain himself and his children,
which would enable him to continue the Dictionary in Saxony. Again, there is
no evidence that August seriously considered this proposal.81
An explicit refusal of Strada’s offer, if any, must have been couched in friend-
ly terms, if Strada a year later seriously expected August might employ him as
an architect. That was the reason why early in September 1576, at the Imperial
Diet at Regensburg, Strada presented a request to Maximilian, asking him for
letters of recommendation and a passport to Saxony. But in the same request
he also asked the Emperor to instruct his son Rudolf, King of the Romans, of
Hungary and of Bohemia, to suggest to the Bohemian Estates that they present
him with Strada’s library, to serve as a royal library in Prague castle. He more-
over begged Maximilian to ask Vilém z Rožmberk to intercede with the Estates
to pay Strada a decent sum for it. In the letter he does not mention his printing
ambitions as his motive, but refers to the load of debts he had accumulated
both in Vienna and in Frankfurt, the latter of which must have been largely due
mit samt dem Haus, so wolt ichs Euer Gnaden vil lieber verginnen, unndt auch wolfa-
lar geben von Wegen der alten Kundschaft unndt deglige Dienst die mir Euer Gnaden
thuen, der kainem Firsten, er sey gleych wer er wel; unndt ichs wol Euer Gnaden vergin-
nen mecht, die weyl Euer Gnaden vormals mirs angebotten hatt, wo ichs verkhaufen wolt
Eyer Genaden’.
80 Doc. 1574-03-01: ‘… non posso mancare di avisarLa qualmente io mi son risoluto di voler
vender tutto il mio studio, con hogni qualunque cosa che n’è dentro; voglio anche vender
la mia casa, et perchè già fu detto qui che Sua Excellenza voleva mandar il Ducha Ferdi-
nando a star qualche anni apresso Sua Maestà , creddo che non potria trovar allogiamento
il più commodo della mia casa, perchè in essa vi sonno xii stufe con tutte le altre com-
modità che si puole immaginare’.
81 Doc 1575-09-28; Strada’s connection with the Elector of Saxony discussed in Lietzmann
1997.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038