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Chapter
14764
The Index sive catalogus is a very important document, not only for its
information on the holdings of Strada’s Musaeum, as discussed in Chapter 13,
but also because it provides the complete and final summary of Strada’s pub-
lishing project. It was this document he sent to potential sponsors, it was this
document he paraphrased in his letter to Plantin, and most significantly, it
was this document that he appended unchanged to his will, charging his heirs
and his executors to realize this specific programme. It took him about fifteen
years since his first publications to establish this final programme, so it was
well-considered, and must reflect both his own tastes and convictions, and
his perception of what was feasible, considering the patronage available and
the demand in the marketplace. The results of his efforts demonstrate that
this perception was overly optimistic; yet a brief survey of the programme
will be useful in providing a more clear idea of Strada’s tastes, convictions
and ideals.
The contents of the Index sive catalogus corresponds closely with Strada’s in-
terest as we have seen them in discussing his earlier career and his collections:
its principal components are antiquarian, artistic and historical materials, to
which are added a number of projected publications on similar aspects of the
Ottoman Empire. Strada’s library was very large and covered all faculties and
disciplines, and doubtless he provided his patrons with literature in all these
fields. But in the Index popular subjects such as theology, medicine, jurispru-
dence, even classical literature are conspicuously absent. It is clear that Strada
did not intend to set up a sort of general publishing house, but explicitly spe-
cialized in the few fields of his own expertise. In the following the document,
the text of which is annexed in Appendix D, can only be briefly surveyed.
14.7.2 The Dictionarium xi Linguarum
The principal works listed, and with which the Index opens, are huge com-
pilations of antiquarian material: inscriptions, coins and other remains from
the ancient world. Though no classical texts are included as such, neverthe-
less the philological aspect is present in the most ambitious work in the whole
list, the Dictionarium xi linguarum, a profusely illustrated polyglot encyclopae-
dia that has already been discussed above (Ch. 14.5.2). In its description in the
Index sive catalogus Strada explicitly points out that its entries are all based on
the phrases provided by the ‘best received authors’ of classical Antiquity or,
as he wrote to Grand Duke Francesco i: ‘all these languages are presented ac-
cording to the phrases of [= as found in the works of] Cicero and other learned
men’.94 Such interest in language and correct usage was only natural, since it
94 Doc. 1577-10-04(d): ‘Tutte queste lingue si parlano secondo le frases di Cicerone et altri
huomini dotti’.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038