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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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767Ambitions as a Publisher a very small letter’. In his letter to Plantin Strada concedes that it would be dif- ficult to have this actually printed, but he suggests that an edition of his Index to the entire Dictionarium might be feasible. This Index is the second item listed in the Index sive catalogus, and by itself took up sixteen folio volumes of 3,506 sheets in all, again written on both sides, in two columns, in a small letter. Referring to a book of which only a minimal part was as yet existent, this Index, on which Strada and his assistants had laboured for eleven years, probably should be considered as his plan for the Dictionarium as a whole, an inventory of the terms which were to be included and of the relevant materials available.99 Since the material, if still existent, has not as yet been identified, it is difficult to judge its character and its quality. Perhaps one should consider the Diction- arium xi linguarum as a huge illustrated encyclopaedia, giving full excerpts of source texts and editorial comments, whereas its Index would have been lim- ited to the terms, their translations, and brief source references (both to texts and images). In his letter to Plantin Strada compares it to the concordances of Plantin’s polyglot Biblia Regia. Probably it looked like—and could be used as—a ‘normal’ dictionary.100 14.7.3 Other Antiquarian Works Basis for the content of the Dictionarium xi Linguarum was the antiquarian information Strada had brought together in the course of his career, and which he had codified in two corpora which in the Index sive catalogus immediately follow the Dictionarium and its indices. Item 3 consists of seven volumes of inscriptions, carefully reproduced, including the surrounding ornament ‘ex- actly as they are in the marbles, stones and tablets themselves’. Strada precisely 99 According to Strada’s letter to Adam von Dietrichstein of March 1566 he had finished this Index already by that time; but there he mentions that it took up eighteen volumes, rather than the sixteen mentioned in the Index sive catalogus. (Doc. 1566-03-01). Perhaps this indicates that he had had prepared a fair copy for the typesetter at some point. On the other hand the letter to the Grand Duke Francesco of October 1577 also mentions eigh- teen volumes (Doc. 1577-10-04(d)). 100 Doc. 1577-10-04: ‘Li Indici del mio Dictionario qualli sonno xvi. volumi, nelli quali con- tengano tutto quelle che si truova nelli buoni authori Latini Greci et Hebrei et Caldei, con tutto quello che si truova nei marmi antichi di figura et de Inscriptioni et di Medaglie, et di hogni qualunque cosa che si puole mostrare à viva ò in dissegno; questi Indici che li stampasse di lettera minuta in tre colonne giudico saria come son le concordantia della Biblia del Plantino. Questi Indici è cosa maravigliosa à creddere che non li vede; perche tutto quello ch’ l’huomo si puote immaginare è qui anottato et cittato il luogo dove si lege ò vero si vede; da tutti gli huomini dotti che l’hanno visto è stato giudicato ch’ se mai si stampasse saria il piu util libro che si potesse desiderare’.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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