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of the Munich Antiquarium shows clearly that this stage could include not
just personal consultation and perhaps some preliminary sketches, but also
carefully worked-out designs. Formal responsibility for the negotiations with
the architects, master masons or contractors who were to execute the projects
remained with other court-officials, such as the Bausuperintendent, but it is
likely that Strada occasionally advised the patron on their selection, and af-
terwards coached them as to the aspects of his own expertise. These included
the correct use of the orders as well as practical problems: thus for the An-
tiquarium Strada advised about the form and the technical possibilities (in
stone or wood) for the window frames and about the ideal material for the
plaques for the inscriptions and where to obtain it. He derived his author-
ity to informally supervise the executive architects and the various artisans
employed from his own formal status as Imperial Architect, his specific, unri-
valled expertise, and the fact that he acted as a representative or an agent of
the patron himself.
16.1.2 Designs for Festivals and Decorative Ensembles—and Their
Production
The information about the organisation of the execution of decorative en-
sembles in the Imperial residences, and for the ephemeral decorations and
costumes for festivities, pageants and ceremonies, is as scanty as that about
the architectural projects. We know that Strada was involved in an unspecified
role in the genesis of the tombs of the Emperors Maximilian i in Innsbruck and
Ferdinand i in Prague: here he doubtless contributed advice on imperial ico-
nography, his own antiquarian specialism, but he was probably also consulted
on the artistic aspects of these important dynastic commissions. In the designs
Figures 16.1–16.2 Jacopo Strada, Diana, design for a costume for a festival at court,
compared with the image of Charles v in the decoration of the Imperial
Chamber at Bučovice, Moravia.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038