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839Agent
of Change: Imperial Antiquary and Architect
16.2.2 Double Agent… Or Rather Single-minded?
A further quality such agents shared, was a high degree of versatility or adapt-
ability to sometimes quite divergent tasks: tasks for which they were not neces-
sarily formally qualified, but in which they could be employed all the same. It
is in this sense, as well as in the more current one, that such agents often were
‘double’ agents: thus secretaries, merchants, artists and soldiers doubled as po-
litical informers (or even as outright spies), while academics and diplomats
chased after books, antiquities, works of arts and doubled as talent spotters as
well. Tasks they were expected to shoulder, not necessarily because they were
the right man for the job, but rather because they happened to be in the right
place at the right time: that is, they were seldom employed because of their
proper specialism.11
Strada disposed of a wide field of interest and certainly was versatile and
adaptable: doubtless, he occasionally will have served his patrons in fields be-
yond his own expertise. He must have passed on much information he heard
on his travels to his patrons in Munich and Vienna, or to the relevant officials
at their courts. Occasionally he may have carried confidential dispatches to
the rulers of places he was scheduled to visit. However, any trusted courtier de-
parting on, or returning from a voyage would have done as much, so this does
not set Strada apart. In any case there are only two documented instances in
which Strada was explicitly asked for a service unconnected with his own spe-
cialist expertise. In the autumn of 1565 he lobbied with the Vizereichskanzler
Johann Baptist Weber on behalf of Carlo Maffei, ‘maestro di camera’ of Gug-
lielmo Gonzaga, presenting a letter of recommendation from the Duke and
explaining Maffei’s business.12 In December 1569 he provided Duke Guglielmo
of Mantua with information about grain prices in Munich, which he must have
obtained from correspondents in that town, probably from Fugger himself.13
Neither instance is representative, because Strada was not in Duke Guglielmo’s
employ. He rendered his service both in return for patronage received earlier—
the Duke’s help in Strada’s Mantuan projects and the benefice conferred on his
11 Ibidem, p. 11.
12 Docs. 1565-10-15 and 1565-10-23. It is obvious that one hand washed the other, because
in return Maffei lobbied with the Duke to concede a benefice in Mantua cathedral to
Strada’s son Paolo.
13 Doc. 1569-11-05; The Mantuan ambassador had asked for this information, but Strada
preferred to communicate it directly to the Duke in person. Unfortunately the published
version (JdKS 16, 1895, ii, Regest nr. 13998) leaves out the actual information Strada had
obtained; I have not been able to find the original document, which is not included in
Venturini 2002. In at least five letters to Duke Guglielmo—and only to him—does Strada
indicate himself as the Duke’s ‘efitionatissimo servidore et vasallo’ (cf. above, Ch. 13.8.2, n.
125).
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038