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903Appendices
A.6 Città del Vaticano, Vatican Library, Cod. pal. 1919, ff. 68-70; this is a copy in
a fluent hand, apperently made by an interested librarian, rather than by
Strada’s scribe.
B Complete and partial paraphrases:
B.1 The Index is paraphrased fully (in Italian) in Strada’s letter, dated Vien-
na, 13 August 1578 [doc. 1578-08-13], which was addressed to Rembertus
Dodonaeus, but really intended for the Antwerp printer Christophe Plan-
tin, who duly responded through his son-in-law Balthasar Moretus [doc.
1578-10-00].
Items from the Index are mentioned in:
B.2 Strada’s letter to Duke Alfonso ii of Ferrara, dated Vienna 4 0ctober 1577
[doc. 1577-10-04(b)]: it mentions the Description of Italy [44] and the poly-
glot dictionary [1–2].
B.3 Strada’s letter to the Grand Duke Francesco i of Tuscany, dated Vienna 4
0ctober 1577 [doc. 1577-10-04(d)]: it mentions the Description of Italy [In-
dex 44], the corpus of inscriptions [3], the polyglot dictionary [1–2], the
Biblioteca Greca [21], ‘altri libri scritti arabi’, in particular the Koran [26],
chronicles [28], libri di astrologia [29–32], various Arabic, Turkish and Per-
sian ‘dictionaria’ [27], a Bible in Arabic [25], and a Picatrix, on necromancy
[22].
B.4 Strada’s letter to Duke Guglielmo of Mantua, dated Vienna 4 0ctober 1577
[doc. 1577-10-04(a)]: it only mentions the Description of Italy [44] (Strada
asks the Duke information on and illustrations of his territories).
C Copyright privilege:
C.1 The Index sive catalogus is partially paraphrased in a copyright privilege
granted by Rudolf ii and dated Prague, 5 December 1584 [doc. 1584-12-
05]. It mentions: Continuatam seriem et historiam omnium Romanorum,
Graecorum sive Constantinopolitanorum, with images based on coins [In-
dex 49]; Tomos septem antiquarum inscriptionum [3]; A.A.A. Numismatωn
Antiquorum ΔιασκευÎ: [not described in the Index]; similar series of Em-
perors with images based on coins [5], and based on ancient sculpture [6];
books describing (or depicting?) the battle order of the Roman army [?14]
and the Castrametatio according to Polybius [?12–13]; Phocas’ Bibliotheca
in Greek Graeca [21]; an expanded and illustrated Latin edition of Lean-
dro Alberti’s Descriptio Italiae [44]; a new, expanded edition of Wolfgang
Lazius twelve books Commentariorum reipubblicae Romanaein externis
provinciis [46]; and finally a Vita et res gesta Caroli Vti illustrated with coin-
images [18].
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038