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906 Appendices
ante vitam ipsam uniuscuiusque caesaris videre est numisma eiusdem imperatoris,
exprimens et representans ipsius effigiem; et quoque figuram alterius, sive posterioris
monetae partis, in magnitudine taleri; quae numismata typis aeneis incisa et excusa
sunt. Et quidem haec omnium pulchriora sunt, quae ab uno quoque imperatore ha-
bere potuimus. Et incipit hic liber a C. Julio Caesare, et finitur in nostro nunc rerum
potiente imperatore Rodulpho huius nominis secundo. Apud et post cuiusque impera-
toris vitam sequuntur eiusdem uxores, liberi et cognati, si quos habuit, et nos nomina
eorum indagare potuimus; nec non tyranni, qui sub eodem imperatore vixerunt, et
imperatoris nomen sibi sumpserunt, una cum eorum numismatibus. Et harum vita
quoque succincte descripta est.
[ 6 ]
Series sive liber alius de imperatoribus romanis cum ipsorum capitibus et pectoribus,
qui partim armati thoracatique sunt, partim nudi, et partim vestibus induti. Hi vero
delineati sunt ex veris eorum antiquis marmoreis statuis tum Roma, tum in aliis Italiae
urbibus extantibus. Subsunt iis omnibus sua stylobata, in quibus unius cuiusque im-
peratoris vita, tempus imperii et obitus compendio inscripta est. Simili modo in eo
repraesentantur imperatrices et augustae, quarum capita et pectora etiam sustinent
stylobata, in quibus etiam vita ipsarum succincte compraehensa est. Et talis figura
cum stylobate occupat folium maius chartae regiae, ita ut superius trium digitorum,
inferius vero quatuor relinquatur spatium.
[ 7 ]
Liber alius manu mea delineatus de numismatibus antiquis, in charta maiori, ubi in
quolibet folio numismata xii, cum eorum aversis partibus visuntur. Incipiunt ista in
C. Julio Caesare, et desinunt in hoc nostro romano imperatore Rodolpho secundo. Et
ad finem istorum numismatum apposita est uniuscuiusque descriptio, una cum vita
ipsius, sicuti antea dictum est.
[ 8 ]
Tabula seu mappa magna de castrametatione Solimani, turcorum imperatoris, ad
civitatem Viennam Austriae cum universis suis copiis: in qua tentoria in medio ex-
ercitu cernuntur imperatoria alta oblonga, itemque rotunda; circumdata undique a
Janitzaeris, custodibus corporis ipsius, una cum ipsorum vexillis et signis militaribus.
Videtur et tentorium in quo ipse commorari solet. Post haec visuntur tentoria ducum
exercitus, sive Bassarum, minora imperatoriis, et alterius formae, viliorisque pretii et
estimationis. Conspicitur item tentorium capitanei Janitzaerorum, nec non aliorum
magnificorum et aulicorum; post etiam tentoria quibus asservantur thesauri imperato-
rii maximi. Haec autem tabula est transumpta et delineata ex quadam pictura principis
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038