Page - 933 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Image of the Page - 933 -
Text of the Page - 933 -
933Bibliography
Altfahrt, Margit, ‘Die politische Propaganda für Maximilian ii’, in miög 88 (1980),
283–312, and 89 (1981) 53–92.
Altfahrt, Margit, Ferdinand der Erste (1503–1564): Ein Kaiser an der Wende zur Neuzeit
(exh. cat. Wiener Stadt- und Landesarchiv, Vienna, 2003).
Amadio, A.A., ‘I codici di antichità di Giovanni Antonio Dosio in relazione ad un
gruppo di disegni della Biblioteca Communale di Fermo’, in Xenia Antiqua 15 (1988),
33–64.
Amaldi, M., ‘Osservazioni nelle fonti iconografiche delle illustrazioni nei Commenta-
rii di Giulio Cesare editi da A. Palladio nel 1575’, in Rivista di Archeologia 4 (1980),
61–69.
Anderson, Jaynie, ‘A Further Inventory of Gabriele Vendramin’s Collection’, in Burling-
ton Magazine 121 (1979), 639–648.
Andrès, Joannes, see AGUSTÍN 1804.
Androuet du Cerceau, Jacques, Le premier volume des plus excellents bastiments de
France : Auquel sont designez les plans de quinze bastiments, & de leur contenu : en-
semble les elevations & singularitez d’un chascun (Paris, 1576).
Androuet du Cerceau, Jacques, Le Second volume des plus excellents bastiments de
France. Auquel sont designez les plans de quinze bastiments, & de leur contenu : en-
semble les elevations & singularitez d’un chascun (Paris, 1579).
Androuet du Cerceau, Jacques, Livre des édifices antiques romains contenant les ordon-
nances et desseings des plus signalez et principaux bastiments qui se trouvoient à
Rome du temps qu’elle estoit en sa plus grande fleur: partie desquels bastiments se
void encor à présent (Paris, 1584).
Androuet du Cerceau, Jacques, and David Thomson, eds., Les plus excellents bastiments
de France (Paris, 1988).
De Angelis, Domenico, see BIOGRAFIA UNIVERSALE 1829 and BIOGRAPHIE UNI-
VERSELLE (1811–1829).
Angermeier, Magnus, ‘Im Zeichen von Jupiter und Saturn. Revitalisierung des Schlosses
Neugebäude in Wien-Simmering: Konzept, Landschaftsplanung und Freiflächenge-
staltung’, in Arx: Burgen und Schlösser in Bayern, Österreich und Südtirol 19 (2005),
nr 2, 34–36.
Anselme de Sainte-Marie, père, and père Ange de Sainte-Rosalie, et al., Histoire gé-
néalogique et chronologique de la Maison Royale de France, des Pairs, Grands Offi-
ciers de la Couronne et de la Maison du Roi, et des anciens Barons du royaume, vol. 8
(3rd ed., Paris, 1733), 929.
Antolín, Guillermo, Catálogo de los Códices Latinos de la Real Biblioteca del Escorial, 2
(Madrid, 1911), E.I.1–K.iii. 31.
Antologia di Maestri Antichi (exh. cat. Armondi Antichitá Brescia, Brescia, 1990).
Apianus, Petrus, and Bartholomäus Amantius, Opus inscriptionum sacrosanctae vetus-
tatis totius fere orbis (Ingolstadt, 1534).
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038