Page - 939 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Image of the Page - 939 -
Text of the Page - 939 -
939Bibliography
Byam-Shaw, James, Drawings by Old Masters at Christ Church, Oxford, 2 vols (Oxford,
1976).
Caccamo, Domenico, ‘Bonifacio, Giovanni Bernardino’, s.v. in dbi 12 (1970), 197–201.
Caesar Triumphans, see ARASSE 1984.
CAESAR, C. Julius, C. Julii Caesaris rerum gestarum commentarii xiv … omnia collatis
antiquis manuscriptis exemplaribus … cum doctiss. annotationibus Henrici Glareani,
Fulvio Ursini Romani, Francisci Hotomani, I.C., Aldi Manutii, P.F.; Ex Musaeo et im-
pensis Iacobi Stradae Mantuani, S.C.M. Antiquarij, et civis Romani (Frankfurt a.M.:
Jacopo Strada, printed by Georg Rab, 1575).
CAESAR, C. Julius, C. Julii Caesaris quae extant: accuratè ex codicibus MSS. antiquis
emendata / cum commentariis variorum; ex musaeo Iacobi Stradae Mantuani; acc.
Tabulae topographicae aeri incisae, et imagines praecipuarum Machinarum belli-
carum, quarum apud Caesarem mentio est, cum nova explic. et recensione Marci Zu-
erii Boxhornii (Leiden: Elsevier, 1635). *This is a reissue of remaining copies (?) of
CAESAR 1575, provided with a new title page.
Calvete de Estrella, Juan Cristobal: El felicissimo viaie d’el muy alto y muy poderoso PrÃn-
cipe Don Phelippe, hijo d’el Emperador Don Carlos Quinto Maximo, desde España Ã
sus tierras dela baxa Alemaña: con la descripcion de todos los Estados de Brabante y
Flandes (Antwerp, 1552).
Camesina, Albert von, Bonifaz Wohlmuth’s Steinmetzen und Baumeister Kaiser Ferdi-
nands I., Grundriss der Stadt Wien vom Jahre 1547. Gezeichnet von Albert Camesina;
Herausgegeben durch den Alterthums-Verein zu Wien im Jahre 1857 und 1858 (Vienna,
1856–1858).
Camesina, Albert von, Urkundliche Beiträge zur Geschichte Wiens im xvi. Jahrhundert
(Vienna, 1881).
Campenhausen, Britta von, ‘Eloquente Pittore, pingente oratore’: Studien zu mytholo-
gisch-allegorischen Gemälden Paolo Veroneses (München, 2003).
Campori, Giuseppe, Lettere artistiche inedite (Modena, 1866; facs. edition Bologna,
1975).
Candida, Bianca, I calchi rinascimentali della collezione Mantova Benavides (Padova,
1967).
Canedy, Norman, The Roman Sketchbooks of Girolamo da Carpi (London and Leiden,
1976).
Canfora, Luciano, Il Fozio ritrovato: Juan de Mariana e André Schott (Bari, 2001).
Cantimori, Delio, Eretici italiani del Cinquecento: Ricerche storiche (Florence, 1939; 3rd
ed. 1978).
Carpeggiani, Paolo, Il Libro di Pietra: Giovan Battista Bertani, architetto del Cinquecento
(Milan, 1992).
Carpeggiani, Paolo, ‘Giovanni Battista Bertani: Il problema dei disegni di architettura’,
in Il disegno di architettura 7 (1993), 11–12.
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038