Page - 945 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Image of the Page - 945 -
Text of the Page - 945 -
945Bibliography
Di Castro, Daniela, and Stephen Paul Fox, Disegni dall’antico dei secoli xvi e xvii dalle
collezioni del Gabinetto Nazionale delle Stampe (exh. cat. Gabinetto Nazionale delle
Stampe Rome, Rome, 1983).
Dickens, A.G., ed., The Courts of Europe: Politics, Patronage and Royalty 1400–1800 (Lon-
don, 1977).
Dickey, Eleanor, Ancient Greek Scholarship: A Guide to Finding, Reading, and Under-
standing Scholia, Commentaries, Lexica, and Grammatical Treatises, from their Be-
ginnings to the Byzantine Period (Oxford, 2007).
Diemer, Peter, Johann Baptist Fickler: Das Inventar der Münchner herzoglichen Kun-
stkammer von 1598. Editionsband: Transkription der Inventarhandschrift cgm 2133
(Munich, 2004).
Diemer, Dorothea, and Peter Diemer, ‘Das Antiquarium Herzog Albrechts v. von Bay-
ern: Schicksale einer fürstlichen Antikensammlung der Spätrenaissance’, in ZfK 58
(1995), 55–104.
Diemer, Dorothea, Peter Diemer, and Willibald Sauerländer, eds., Die Münchner Kunst-
kammer (Munich, 2008). Vol. 1–2: Katalog; vol. 3: Aufsätze und Anhänge.
Dienne, Louis Édouard Marie Hippolyte de, Histoire du desséchement des lacs et marais
en France avant 1789 (Paris, 1891).
Dietz, Alexander, Zur Geschichte der Frankfurter Büchermesse 1462–1792 (Frankfurt am
Main, 1921).
Dimier, Louis, Histoire de la peinture de portrait en France au xvi siècle, 3 vols (Paris,
1924–1926).
Dinsmoor, William Bell, ‘The Literary Remains of Sebastiano Serlio, i’, in Art Bulletin
24 (1942a), 55–91.
Dinsmoor, William Bell, ‘The Literary Remains of Sebastiano Serlio, ii’, in Art Bulletin
24 (1942b), 115–154.
Dischinger, Gabriele, ‘Ein Augsburger Plan für das Münchener Antiquarium’, in Ober-
bayerisches Archiv 112 (1988), 81–86.
Dittrich, Joachim, Burgruinen in Unterfranken, rund um Würzburg (Nidderau, 2006).
Dmitrieva, Marina, and Karen Lambrecht, eds., Krakau, Prag und Wien: Funktionen von
Metropolen im frühmodernen Staat (Stuttgart, 2000).
Dobalová, Sylva, Zahrady Rudolfa ii: Jejich vznik a vývoj (Prague, 2009).
Dobalová, Sylva, Jaroslava Hausenblasová, and Ivan P. Muchka, ‘Grüne Gänge im Köni-
glichen Garten in der Prager Burg’, in Studia Rudolphina 8 (2008), 18–33.
Dobalová, Sylva, and Jaroslava Hausenblasová, and Ivan P. Muchka, et al., Hvězda,
Arcivévoda Ferdinand Tyrolský a jeho letohrádek v evropském kontextu (Prague,
2014).
Dobalová, Sylva, and Ivan P. Muchka, eds., Looking for Leisure: Court Residences
and their Satellites 1400–1700 (Prague, 2017); Palatium e-Publication 4 (Prague, 2017);
in url: http://www.courtresidences.eu/index.php/publications/e-Publications/#
Volume%204 (consulted 17.11.2017).
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038