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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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951Bibliography Gorfer, Aldo, I Castelli del Trentino: Guida, vol. 3: Trento e Valle dell’Adige; Piano Roto- liano (Trent, 1990). Gorse, George L., ‘The Villa of Andrea Doria in Genoa: Architecture, Gardens, and Sub- urban Setting’, in jsah 44 (1985), 18–36. Gorse, George L., ‘An Unpublished Description of the Villa Doria in Genoa during Charles v’s Entry, 1533’, in Art Bulletin 68 (1986), 319–322. Gottlieb, Theodor, Büchersammlung Kaiser Maximilians I.: Mit einer Einleitung über älteren Bücherbesitz im Hause Habsburg (Leipzig, 1900; reprint Amsterdam, 1968). Gould, Cecil, The Paintings of Correggio (London, 1976). Grapheus, Cornelius, Spectaculorum in susceptione Philippi Hisp. Prin. Divi Caroli. v. Caes. F. an. M.D.xlix. Antverpiae aeditorum, mirificus apparatus Antwerp (1549/1550). *Print series, woodcuts by Pieter Coecke van Aelst. Gregorovius, Ferdinand, Alcuni cenni storici sulla cittadinanza Romana. Atti del Reale Accademia dei Lincei 274, 1876–1877, ser. 3a: Classe di scienze morale 1 (Rome, 1877). Grendler, Paul F., Critics of the Italian World (1530–1560): Anton Francesco Doni, Nicolò Franco and Ortensio Lando (Madison, Milwaukee WI and London, 1969). Greppi, Cesare, ed., Lettere di artisti italiani ad Antonio Perrenot de Granvelle (Madrid, 1977). Griemann, Mario, Schloss Neugebäude: Neue Funde im Kontext der Bau- und Forsc- hungsgeschichte (Master‘s thesis, University of Vienna, 2008); in url: http://othes .univie.ac.at/1638 (consulted 28.02.2018). Griessenbeck, Roma von, Florian Griespek von Griespach in Geschichte und Gegenwart (Regenstauf, 2014). Grigg, Robert, ‘“Symphonian Aeido tes Basileias”: An Image of Imperial Harmony on the Base of the Column of Arcadius’, in Art Bulletin 59 (1977), 469–482. Grossmann, Karl, ‘Reichart Strein von Schwarzenau: Ein österreichischer Staatsmann und Gelehrter aus der Zeit der Renaissance, Reformation und Gegenreformation’, in Jahrbuch für Landeskunde und Heimatschutz von Niederösterreich und Wien, N.F. 20 (1926/27), part 2 (Vienna, 1927), 1–37. Grün, Sibylle, ‘Das Hof- oder Kaiserspital’, Ch. iv.6, in Karner 2014, 241–248. Grünberg-Dröge, Monika, ‘Pierre Sala: Antiquaire, humaniste et homme de lettres ly- onnais du xvie siècle’, in lyon 16e 1993, 3–34. Gschwantler, Kurt, ‘Der Jüngling vom Magdalensberg: Ein Forschungsprojekt der An- tikensammlung des Kunsthistorischen Museums in Wien’, in Griechische und rö- mische Statuetten und Großbronzen (Vienna, 1988), 16–27. Gschwantler, Kurt, ‘Der Jüngling vom Magdalensberg in Aranjuez. Die Suche nach dem verschollenen Original’, in JdKS 89–90 (1993–1994), 311–339. Gschwend, Annemarie Jordan, The Story of Süleyman the Elephant. Celebrity Elephants and Other Exotica in Renaissance Portugal (Zurich, 2012). Gsedl, Bodo, Josef Heilmaier, and Hubert Kemper, Wasserschloss Taufkirchen, Taufkirchen (Vils, 2008).
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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