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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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953Bibliography Hartig, Otto, ‘Des Onufrius Panvinius Sammlung von Papstbildnissen in der Biblio- thek des Hans Jakob Fugger (Cod. lat. monac. 155–60) ’, in Historisches Jahrbuch 38 (1917b), 284–314. Hartig, Otto, ‘Münchner Künstler und Kunstsachen, ii (1529 bis 1559)’, in MJbK, N.F. 7 (1930), 338–372. Hartig, Otto, ‘Münchner Künstler und Kunstsachen, iii (1560–1575)’, in MJbK, N.F. 8 (1931), 322–384. Hartig, Otto, ‘Münchner Künstler und Kunstsachen, iv (1576–1579)’, in MJbK, N.F. 10 (1932), 226–246. Hartig, Otto, ‘Die Kunsttätigkeit in München unter Wilhelm iv und Albrecht v., 1520 bis 1579’, in Münchner Jahrbuch der bildende Kunst, N. F. 10 (1933a), 147–225. Hartig, Otto, ‘Der Arzt Samuel Quiccheberg, der erste Museologe Deutschlands, am Hofe Albrechts v. in München’, in Das Bayerland 44 (1933b), 630–633. Hartt, Frederick, Giulio Romano, 2 vols (New Haven, 1958). Haskell, Francis, History and its Images: Art and the Interpretation of the Past (New Ha- ven CT and London, 1993). Hassinger, Erich, Studien zu Jacobus Acontius (Berlin, 1934). Hassman, Elisabeth, ‘Das Lusthaus zu Katterburg, der Vorgängerbau der Schlossanlage Fischers von Erlach: Archivalischer Beitrag zu den Ausgrabungen in Schönbrunn’, in Österreichische Zeitschrift für Kunst und Denkmalpflege 55 (2001), 435–452. Hausenblasová, Jaroslava, Der Hof Kaiser Rudolfs ii. Eine Edition der Hofstaatsverzeich- nisse 1576–1612 (Prague, 2002). Hausenblasová, Jaroslava, and Markus Jeitler, ‘Die Hofburg und die Familie Habsburg’, in Karner 2014, 24–30. Hayward, John Forrester, ‘The Goldsmith’s Designs of the Bayerische Staatsbibliothek Reattributed to Erasmus Hornick’, in Burlington Magazine 110 (1968a), 201–207. Hayward, John Forrester, ‘The Drawings and Engraved Ornament of Erasmus Hornick’, in Burlington Magazine 101 (1968b), 383–389. Hayward, John Forrester, ‘Ottavio Strada and the Goldsmith’s Designs of Giulio Ro- mano’, in Burlington Magazine 102 (1970), 10–14. Hayward, John Forrester, ‘Some Spurious Antique Vase-designs of the Sixteenth Cen- tury’, in Burlington Magazine 104 (1972), 378–386. Hayward, John Forrester, Virtuoso Goldsmiths and the Triumph of Mannerism, 1540–1620 (London, 1976). Heenes, Volker, Antike in Bildern. Illustrationen in antiquarischen Werken des 16. und 17. Jahrhunderts (Ruhpolding, 2003). Heenes, Volker, ‘Jacopo Strada: Goldschmied und Maler, Antiken- und Münzhändler, Sammler und ‘Antiquarius Caesareus”, in Dietrich Hakelberg, and Ingo Wiwjorra, eds., Vorwelten und Vorzeiten. Archäologie als Spiegel historischen Bewusstseins in der Frühen Neuzeit (Wiesbaden, 2010), 295–310.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court