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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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954 Bibliography Heenes, Volker, ‘Zu den Kopien der Reliefs der Trajanssäule im 16. Jahrhundert: Zwei neue Zeichnungen eines unbekannten Rotulus Columna Traiani’, in Fritz Mit- thof, and Günther Schörner, Columna Traiani – Traianssäule: Siegesmonument und Kriegsbericht in Bildern (Holzhausen, 2017), 271–278, 383, figs. 85–99. Heinz, Günther, ‘Das Porträtbuch des Hieronymus Beck von Leopoldsdorf’, in JdKS 71 (1975), 165–205. Heinz, Günther, and Karl Schütz, Porträtgalerie zur Geschichte Österreichs von 1400 bus 1800 (2nd ed. Vienna, 1982). Henkel, A., and A. Schöne, eds., Emblemata: Handbuch zur Sinnbildkunst des xvi. und xvii. Jahrhunderts (Stuttgart, 1967). Herget, Elisabeth, ‘Wirkungen und Einflüsse des Palazzo del Te nördlich der Alpen’, in Festschrift für Harald Keller, zum sechzigsten Geburtstag dargebracht von seinen Schülern (Darmstadt, 1963), 281–300. Hermanin, F., L’Opera del genio italiano all’estero: Gli artisti in Germania, vol. 1 (Rome, 1934). Hieronymus Cock, The Renaissance in Print, eds., Joris van Grieken, Ger Luijten, and Jan van der Stock (exh. cat. M-Museum, Louvain; Fondation Custodia, Paris and Brus- sels, 2013). Hirn, J., Erzherzog Ferdinand ii. von Tirol, 2 vols (Innsbruck, 1885–1888). Hitchcock, Henry-Russell, German Renaissance Architecture (Princeton NJ, 1981). Hölscher, Petra, and Claudia Schnitzer, eds., Eine gute Figur machen: Kostüm und Fest am Dresdner Hof (exh. cat. Kupferstich-Kabinett Dresden, Dresden, 2000). Holtzmann, Robert, Kaiser Maximilian ii. bis zu seiner Thronbesteigung (1527 bis 1564) (Berlin, 1903). Holzschuh, Gottfried, ‘Das Neugebäude und seine italienischen Voraussetzungen, in FÜRSTENHÖFE DER RENAISSANCE 1990, 366–369. Holzschuh-Hofer, Renate, ‘Der Relieffries an der römischen Ruine in Schönbrunn’, in FÜRSTENHÖFE DER RENAISSANCE 1990, 370–373. Holzschuh-Hofer, Renate, ‘Die Wiener Hofburg im 16. Jahrhundert: Festungsresidenz Ferdinands i.’, in Österreichische Zeitschrift für Denkmalpflege 41 (2007), nr 2–3, 307–325. Holzschuh-Hofer, Renate, ‘Feuereisen im Dienst politischer Propaganda von Burgund bis Habsburg. Zur Entwicklung der Symbolik des Ordens vom Goldenen Vlies von Herzog Philipp dem Guten bis Kaiser Ferdinand i’, in RIHA Journal 6, 16.08.2010; in url: http://www.riha-journal.org/articles/2010/holzschuh-hofer-feuereisen-im -dienst-politischer-propaganda; (consulted 17.11.2017). Holzschuh-Hofer, Renate, ‘Die Alte Burg (Schweizerhof) 1521–1619’, Ch. iv.1.1, in Karner 2014(a), 80–143. Holzschuh-Hofer, Renate, ‘Galerie, Kunstkammergebäude und Ballhaus, 1521–1619’, Ch. iv.5.1, in Karner 2014(b), 198–213.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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