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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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958 Bibliography Jeitler, Markus, ‘Zum Forschungsstand der Wiener Hofburg’, in Anne-Marie Flambard- Héricher, ed., Château Gaillard 23: Bilan des recherches en castellologie (Caen, 2008), 253–261. Jeitler, Markus, and Jochen Martz, ‘Der Untere und der Obere Lustgarten’, Ch. iv.4, in KARNER 2014, 188–197. Jöcher, Christian Gottlieb, Allgemeines Gelehrten-Lexicon I–IV (Leipzig, 1750–1751). Johne, Renate, Willibald Pirckheimer und das Platonbild des deutschen Renaissance- Humanismus (diss. Humboldt Universität; Berlin, 198). Johnston, Stephen, ‘Jacopo Aconcio’s lost treatise on fortification’, unpublished paper, 2005/2016; in url: http://www.mhs.ox.ac.uk/staff/saj/aconcio (consulted 28.02.2018). Josephus, T. Flavius / H. St. J. Thackeray (Tr.), Josephus, with an English Translation, III: The Jewish War, Books IV-VII [Loeb Classical Library] (London/Cambridge Ma., 1961). Jongkees, J.H., ‘Stephanus Winandus Pighius Campensis’, in Mededelingen van het Ned- erlands Historisch Instituut te Rome 3 (1954), nr 8, 119–185. Juřen, Vladimir, ‘Le Codex Chlumczansky: un recueil d’inscriptions et de dessins du xvie siècle’, in Monuments et mémoires publiés par l’Académie des Inscriptions et Belles–Lettres 68 (1986), 105–212. Kaiser Ferdinand i. 1503–1564. Das Werden der Habsburgermonarchie, eds. Georg Johannes Kugler and Wilfried Seipel (exh. cat. Kunsthistorisches Museum, Vienna and Milan, 2003). Kaltwasser, Franz Georg, Die Bibliothek als Museum: Von der Renaissance bis heute, dar- gestellt am Beispiel der Bayerischen Staatsbibliothek (Wiesbaden, 1999). Karner, Herbert, ‘Die Hofburg: Vom mittelalterlichen “Castrum” zur Kaiserresidenz von Leopold i’, in Richard Kurdiovsky, ed., Die Österreichische Präsidentschaftskanzlei in der Wiener Hofburg (Vienna, 2008), 19–36. Karner, Herbert, ed., Die Wiener Hofburg 1521–1705: Baugeschichte, Funktion und Etablierung als Kaiserresidenz (Vienna, 2014). Kárpáti, Zoltán, ‘Two Festival Designs from the Workshop of Jacopo Strada”, in Orsolya Radványi, Júlia Tátrai, and Ágota Varga, eds., ‘Geest en gratie’: Essays Presented to Ildikó Ember on Her Seventieth Birthday (Budapest, 2012), 142–147. Kaufmann, Thomas DaCosta, Variations on the Imperial Theme in the Age of Maximil- ian ii and Rudolf ii (New York, and London, 1978a). Kaufmann, Thomas DaCosta, ‘Remarks on the Collections of Rudolf ii: The Kunstkam- mer as a Form of Representatio’, in Art Journal 38 (1978b), nr 1, 22–28. Kaufmann, Thomas DaCosta, ‘Il lavoro della famiglia Strada sui mulini e sul moto delle acque a essi correlato/ The Strada’s Works on Mills and the Movement of Water in Context’, in MARCHIS/DOLZA 2002, 1–35 and 199–215. Kaufmann, Thomas DaCosta, Arcimboldo: visual jokes, natural history, and still-life painting (Chicago IL, 2009).
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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