Page - 960 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Image of the Page - 960 -
Text of the Page - 960 -
960 Bibliography
Krčalová, Jarmila, ‘Pietro Ferrabosco und sein Schaffen im Königreich Böhmen’, in Ost-
bairische Grenzmarken: Passauer Jahrbuch für Geschichte, Kunst und Volkskunde 11
(1969), 183–196.
Krčalová, Jarmila, ‘Palac pánů z Rožmberka’, in Umění 19 (1970), 469–485.
Krčalová, Jarmila, ‘Kostel sv. Petra a Pavla v Kralovičích a Bonifác Wolmut’, in Umění 20
(1972), 297–317.
Krčalová, Jarmila, Zámek v Bucovičích (Prague, 1979).
Krčalová, Jarmila, ‘Die rudolfinische Architektur’, in lkj 1 (1982), 271–308.
Krčalová, Jarmila, Renesanční stavby Baldassare Maggiho v Čechách a na Moravě
(Prague, 1986).
Kronthaler, Helmut, Die Ausstattung der Landshuter Stadtresidenz unter Herzog Lud-
wig x. (1563–1543) (Munich, 1987).
Kubíková, Anna, ed., Rožmberské kroniky: krátký a summovní výtah od Václava Březana
(České Budějovice, 2005).
Kubler, George, Building the Escorial (Princeton NJ, 1982).
Kühnel, Harry, ‘Forschungsergebnisse zur Geschichte der Wiener Hofburg im 16. Jahr-
hundert (1)’, in APhilHistÖAW 93 (1956), 261–271.
Krčalová, Jarmila, ‘Beiträge zur Geschichte der Wiener Hofburg im 16. und 17. Jahrhun-
dert’, in APhilHistÖAW 95 (1958), 268–283.
Krčalová, Jarmila, ‘Forschungsergebnisse zur Geschichte der Wiener Hofburg (3):
Die landesfürstlichen Baumeister der Wiener Hofburg von 1494 bis 1569’, in APhil-
HistÖAW 96 (1959), 296–325.
Krčalová, Jarmila, ‘Forschungsergebnisse zur Geschichte der Wiener Hofburg im 16.
Jahrhundert (5): Die Stallburg’, in APhilHistÖAW 98 (1961), 210–230.
Krčalová, Jarmila, Die Hofburg zu Wien (Graz and Cologne, 1964).
Krčalová, Jarmila, Die Hofburg (Vienna and Hamburg, 1971).
Kulawik, Bernd, Die Zeichnungen im Codex Destailleur D (hdz 4151) der Kunstbibliothek
Berlin-Preußischer Kulturbesitz zum letzten Projekt Antonio da Sangallos des Jün-
geren für den Neubau von St. Peter in Rom, i; Text und Quellen; ii: Der Codex Destail-
leur D (Doctoral thesis, Technische Universität Berlin, 2002); in url: http://dx.doi.
org/10.14279/depositonce-499 (consulted 27.09.2017).
Kulturkosmos der Renaissance, Die Gründung der Bayerischen Staatsbibliothek (exh.
cat. Bayerische Staatsbibliothek München, Wiesbaden, 2008).
Kunst der Renaissance: Jirina Hořejší, Jarmila Krčálová, et al., Die Kunst der Renaissance
und des Manierismus in Böhmen (Prague and Hanau a.M., 1979).
Kurras, Lotte, ‘Zwei österreichische Adelige des 16. Jahrhunderts und ihre Stammbüch-
er: Christoph von Teuffenbach und Johann Fernberger von Egenberg’, in Wolfgang
Klose, Stammbücher des 16. Jahrhunderts (Wiesbaden, 1989), 125–135.
Kuyper, Wouter, The Triumphant Entry of Renaissance Architecture into the Netherlands:
The Joyeuse Entrée of Philip of Spain into Antwerp in 1549, Renaissance and Mannerist
Architecture in the Low Countries from 1530 to 1630, 2 vols (Alphen aan den Rijn, 1994).
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038