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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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964 Bibliography Marsy, François-Marie de, Dictionaire abrégé de peinture et d’architecture, ou l’on trouvera les principaux termes de ces deux arts avec leur explication, 2 vols (Paris, 1746). von Martels, Z.R.W.M., Augerius Gislenius Busbequius: Leven en werk van de keizerlijk gezant aan het hof van Süleyman de Grote. Een biografische, literaire en historische studie met editie van onuitgegeven teksten (Groningen, 1989). Marx, Barbara, ‘Wandering Objects, Migrating Artists: the Appropriation of Italian Re- naissance Art by German Courts in the Sixteenth Century’, in Herman Roodenburg, ed., Cultural Exchange in Early Modern Europe, vol. 4: Forging European Identities, 1400–1700 (Cambridge, 2007), 178–226. Maximilian, I, and Marx Treitzsauerwein, Der Weisskunig. Nach den Dictaten und ei- genhändigen Aufzeichnungen Kaiser Maximilians i. zusammengestellt von Marx Tre- itzsauerwein von Ehrentreitz, ed. Alwin Schulz (= JdKS 6 [1888]). Maximilian II, Holy Roman Emperor: see bibl 1916–1921. Mayr, M., Wolfgang Lazius als Geschichtsschreiber Österreichs: Ein Beitrag zur Historiog- raphie des 16.Jahrhunderts (Innsbruck, 1894). Mazal, Otto, and Franz Unterkircher, Katalog der abendländischen Handschriften der Österreichischen Nationalbibliothek: ‘Series nova’ (Neuerwerbungen), part 2: Cod. Ser. n. 1601–3200 (Vienna, 1963). McCrory, Martha A., ‘An Antique Cameo of Francesco i De’Medici: An Episode from the Story of the Grand-ducal Cabinet of Anticaglie’, in Le arti del principato mediceo (Florence, 1980), 301–316. McCrory, Martha A., ‘Domenico Compagni: Roman Medalist and Antiquities Dealer of the Cinquecento’, in Italian Medals: Studies in the History of Art, National Gallery of Art (Washington DC, 1987), 115–129. McCuaig, William, ‘The Fasti Capitolini and the Study of Roman Chronology in the 16th Century’, in Athenaeum: Studi di Letteratura e Storia dell’Antichità 79 (1991), 141–159. Meadow, Mark A., ‘Merchants and Marvels: Hans Jacob Fugger and the Origins of the Wunderkammer’, in P. Smith and P. Findlen, eds., Merchants and Marvels: Com- merce, Science, and Art in Early Modern Europe (New York and London, 2002), 182–200. Meadow, Mark A., see QUICCHEBERG 2013. Meijer, Bert W., ‘Niccolò Frangipane’, in Saggi e Memorie di Storia dell’ Arte 8 (1972), 51–91. Meijer, Bert W., ‘Harmony and Satire in the Work of Niccolò Frangipane: Problems in the Depiction of Music’, in Simiolus: Netherlands Quarterly for the History of Art 6 (1972–1973), 94–112. Meli, Fausto, Spinoza e due Antecedenti Italiani del Spinozismo (Florence, 1934). Melissus, Paulus, Schediasmata poetica, secundo edita multo auctiora (Paris, 1586).
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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