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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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972 Bibliography Riccomini, Anna Maria, ‘Contributi alla ritrattistica di età severiana dalla collezione Gonzaga’, in Prospettiva 153–154 (2014b), 128–135. Ridley, Ronald T., ‘To protect the Monuments: The Papal Antiquarian (1534–1870)’, in Xenia Antiqua 1 (1992), 117–153. Riebesell, Christina, Die Sammlung des Kardinal Alessandro Farnese: Ein ‘studio’ für Künstler und Gelehrte (Weinheim, 1989). Riebesell, Christina, ‘Die Sammlung des Kardinal Alessandro Farnese (1520–1589) als Stellvertreterin für das antike Rom’, in Andreas Grote, ed., Macrocosmos in Micro- cosmo: Die Welt in der Stube. Zur Geschichte des Sammelns 1450 bis 1800 (Opladen, 1994), 397–416. Rieger, Renate, ‘Das Wiener Neugebäude’, In miög 59 (1951), 136–144. Rieger, Renate, and Mitsch Ingeborg, Das Schloss zu Spittal an der Drau in Kärnten (Wien, 1962). Il Rinascimento a Lione (Atti del Congresso Internazionale, Macerata 1985), eds. Anto- nio Possenti and Giulia Mastrangelo (Roma, 1988). Ripellino, Angelo Maria, Praga magica (Turin, 1973). Robertson, Bruce, see QUICCHEBERG 2013. Robertson, Clare, ‘Il Gran Cardinale’: Alessandro Farnese, Patron of the Arts (New Haven and London, 1992). Rogers, Everett, Diffusion of Innovations (5th ed. New York, London, Toronto and Syd- ney, 2003). Rohmann, Gregor, Das Ehrenbuch der Fugger, 2 vols (Augsburg, 2004). Vol. 1: Darstel- lung – Transkription – Kommentar; vol. 2: Die Babenhausener Handschrift. Romier, Lucien, ‘Lyon et le cosmopolitisme au debut de la Renaissance’, in Bibliothèque d’Humanisme et Renaissance: Travaux et Documents 11 (1949), 28–42. Rondot, Natalis, Bernard Salomon (Lyon, 1897). Rosci, Marco, and Anna Maria Brizio, Il Trattato di architettura di Sebastiano Serlio, 2 vols. (Milan, 1966). Rosenfeld, Myra Nan, ‘Sebastiano Serlio’s Drawings in the Nationalbibliothek in Vienna for his Seventh Book on Architecture’, in Art Bulletin 56 (1974) 400–409. Rosenfeld, Myra Nan, Sebastiano Serlio on Domestic Architecture: Different Dwellings from the Meanest Hovel to the Most Ornate Palace. The Sixteenth-Century Manuscript of Book vi in the Avery Library of Columbia University (New York, 1978). Rosenthal, Earl E., ‘The Diffusion of the Italian Renaissance Style in Western European Art’, in The Sixteenth Century Journal 9 (1978), 33–45. Rosenthal, Earl E., The Palace of Charles v in Granada (Princeton NJ, 1985). Roth, Harriet, see QUICCHEBERG 2000. Rouillé, Guillaume, Promptuaire des médalles des plus renommées personnes qui ont esté depuis le commencement du monde. Avec brieve description de leurs vies & faicts, recueillie des bons auteurs (Lyon, 1553).
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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