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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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977Bibliography Sivirsky, A.L.I., ‘Ellebodius, (H)elbaul(l)t, Nicasius, humanist’, s.v. in Nationaal Biograf- isch Woordenboek 7 (1977), cols. 206–208. Skrabanek, Alena, Architektur des Renaissanceschlosses Ungarschitz/Uherčice in Süd- mähren (Master’s thesis, University of Vienna, 2008). Skretkowicz, Victor, ‘Symbolic Architecture in Sidney’s New Arcadia’, in Review of Eng- lish Studies, N.S. 33 (1982), 175–180. Slabý, Fabián, ‘K stavebním dějinám bučovicského zámku’, in Vlastivědný věstník moravský 2 (1947), 310–314. Smith, Graham, The Casino of Pius IV (Princeton NJ, 1977). Smith, Graham, ‘The Stucco Decoration of the Casino of Pius IV’, in GASTON 1988, 209–215. Šmrha, Karel, ‘K stavební historii zámku v Bučovicích’, in Vlastivědný věstník moravský 14 (1959), 152–155. Le Solennissime Feste et gloriosissime trionfi fatti nella città di Possonio nella coronation del Serenissimo Principe Ridolfo, Arciduca d’Austria, figliolo di Sua Maestà Cesarea, coronato Re di Ongaria (Venice, 1572). Spielman, John Philip, The City and the Crown: Vienna and the Imperial Court, 1600–1740 (West Lafayette IN, 1993). Splendours of the Gonzaga, eds. David Chambers, and Jane Martineau (exh. cat. Lon- don, Victoria and Albert Museum; London, 1981). Stagno, Laura, Palazzo del Principe: The Villa of Andrea Doria at Genoa (Genova, 2005). Stefani Mantovanelli, Marina, ‘Giovanni Grimani Patriarca di Aquileia e il suo Palazzo di Venezia’, in Quaderni utinesi 3–4 (1984), 36–54. Stenhouse, William, Reading Inscriptions and Writing Ancient History: Historical Schol- arship in the Late Renaissance (London, 2005). Stenhouse, William, ‘Panvinio and Descriptio: Renditions of History and Antiquity in the Late Renaissance’, in Papers of the British School at Rome 80 (2012), 233–256. Stichel, Rudolf H.W., ‘Zu den verschollenen griechischen Handschriften des kaiserli- chen Botschafters bei der Hohen Pforte Karel Rijm (1533–1584)’, in Museum Hel- veticum: Schweizerische Zeitschrift für klassische Altertumswissenschaft 47 (1990), 235–248. Stichel, Rudolf H.W., ‘Das Bremer Album und seine Stellung innerhalb der orien- talischen Trachtenbücher’, in Hans-Albrecht Koch, (ed.), Das Kostümbuch des Lam- bert de Vos: Vollständige Faksimile-Ausgabe im Originalformat des Codex Ms. or. 9 aus dem Besitz der Staats- und Universitätsbibliothek Bremen. Kommentarband (Graz, 1991), 31–54, and ill. 4–29. Stierhof, Horst, ‘Die Wittelsbacher und die bildende Kunst’, in Die Wittelsbacher und ihre Künstler in acht Jahrhunderten (Munich,1980), 324–473. Stierhof, Horst, ‘Zur Baugeschichte des Antiquariums’, in WESKI/FROSIEN-LEINZ 1987, vol. 1, 18–22.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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