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978 Bibliography
Stockbauer, J., Die Kunstbestrebungen am Bayerischen Hofe unter Albrecht v (Vienna,
1874; facs. edition Osnabrück, 1970).
Stoy, M., ‘Verancsics (Antun)’, in Biographisches Lexikon zur Geschichte Südosteuropas
4 (Munich,1981), 442–444.
Strada, Antonio, ‘I de Strata Podestà ’, in Atti e Memorie del Quarto Congresso Storico
Lombardo 17 (Pavia, 1939/Milan, 1940).
Strada, Jacopo, Epitome Thesauri Antiquitatum, hoc est, IM Rom. Orientalium et Oc-
cidentalium Iconum, ex antiquis Numismatibus quam fidelissime deliniatarum
(Lyon, 1553 (a)). *Published by Strada and Thomas Guerin; printed by Jean de
Tournes.
Strada, Jacopo, Epitome du Thresor des Antiquitez, C’est à dire, Pourtraits des vrayes Me-
dailles des EM tant d’Orient que d’Occident (Lyon, 1553 (b)). *Translation of STRADA
1553(a) by Jean Louveau; published by Strada and Thomas Guerin; printed by Jean
de Tournes.
Strada, Jacopo, Epitome thesauri antiquitatum, hoc est, IMP. Rom. Orientalium et Oc-
cidentalium Iconum, ex antiquis Numismatibus quam fidelissime deliniatarum. *Un-
authorized (?) reprint of STRADA 1553(a); Zurich, 1557.
Strada, Jacopo, and Diethelm Keller, Künstliche und aigendtliche bildtnussen der Rhö-
mischen Keyseren, jhrer weybern und kindern, auch anderer verrümpten personen,
wie die auff alten pfennigen erfunden sind … auss dem Latin jetz neüwlich vertheütst
(Zurich, 1558). *Based on STRADA 1553(a); many woodcuts added, derived from
Guillaume Rouillé Promptuaire des Médailles; translation by Diethelm Keller.
Strada, Jacopo: Imperatorum Romanorum omnium orientalium et occidentalium veris-
sime imagines ex antiquis numismatum quam fidelissime delineatae; additae cui-
usque vitae descriptione ex Thesauro Iacobi Stradae et perbrevi elogio uniuscuisque
carmine, quod quasi epitome est historiae, ad iuvandam memoriam (Zurich, 1558).
*Based on STRADA 1553(a); woodcuts by Rudolph Wyssenbach (images), Hans Ru-
dolph Manuel Deutsch (frames) and Peter Flötner (decorative vignettes).
Strada, Jacopo, Kunstliche Abriß aller hand Wasser- Wind- Roß und Handt Mühlen, bene-
ben schönen und nützlichen Pompen, auch andern Machinen/ damit das Wasser in
Höhe zuerheben, auch lustige Brunnen und Wasserwerck, dergleichen vor diesem nie
gesehen worden, 2 vols (Frankfurt a.M., 1617–1618). *Edited by Jacopo Strada’s grand-
son, Ottavio II Strada da Rosberg.
Strada, Jacopo, Desseins artificiaulx de toutes sortes des moulins à vent, à l’eau, à cheval
et à la main, avec diuerses sortes des pompes et aultres inventions pour faire monter
l’eau en hault. *Edited by Jacopo Strada’s grandson, Ottavio II Strada da Rosberg),
2 vols (Frankfurt a.M., 1617–1618) [Jacopo Strada 1617–1618].
Strada, Jacopo, See: PANVINIO (1557a), PANVINIO (1557b).
Strada, Jacopo, See: CAESAR (1575).
Strada, Jacopo, See: SERLIO (1575).
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038